The Comparative Study Of Beethoven And Schubert Piano Sonata

Review the development history of Western music, we will find that each period has itsrepresentative creative genre. In ancient Greece and Rome, music period, the notation to makemusic to better serve the religion. Period of medieval music, religious music and secular music tobe extended to the peak. Renaissance humanism of new ideas, people have begun to reformreligious music, mainly Chorale and A Cappella to four tones Ministry polyphonic genre.Baroque music in the next period, with the progress of process improvement and production ofmusical instruments, music toward developing in many ways-in vocal music, opera, oratorio,cantata is the main genre of creative; in instrumental music, classical Sonata and Concerto is themain theme of creation; specific to the keyboard, organ and clavichord playing genre is theToccata and Fugue and dance nature Suite. Until the period of classical music, piano sonatas,chamber music, concertos, symphonies is mainly instrumental genre.Piano Sonata as an important genre in the form of the period of Classical Music Piano Musicfor hundreds of years to be widely used in music, academic research, the piano playing andteaching. According to historical records, the keyboard sonata in the Baroque period had alreadyappeared by the inheritance of Haydn, Mozart, Beethoven and many other classical musicmasters, improve innovation, the heyday of its mature structure in Classical Music, normsrigorous creative approach, gradually developed to its peak, the Sonata one of the forms ofrepresentation of the creation of the genre of Classical Music Piano become the futuregenerations to play the classic learning. Piano Sonata in different periods, its the completestructure of the constant and varied musical language for future generations has left a valuablecultural heritage.Beethoven and Schubert as a contemporary musician, social background of the changes inemotional expression or not the same. Personal character and position are quite different, the twoworks are irreplaceable and easily distinguishable characteristics. It is these characteristics,reflecting the transformation process of the neoclassical piano sonatas writing style to the writingstyle of the Romantic piano sonatas. Two music schools, and a key figure in the comparativeanalysis, so that the majority of piano enthusiasts a better understanding of the history of pianoart to understand the generation of the Sonata and the process of development, learn how tointerpret different times under different background music.In a large number of works in the piano sonatas, if only in respect of the sonata itself in termsof musical structure, works almost the same. But we can be compared by its specific content,style, size and other aspects of the analysis, to divide out the works of the era in which the statusquo, social background, or even by the works realized that the emotional and living conditions ofthe composer in the creation of works. In this paper, two representatives of the classical and romantic period-the creation ofBeethoven and Schubert sonatas contrast inquiry as the starting point. By analysis of the twocomposers, the development of this art form of the piano sonatas, creative research, a betterunderstanding of the creative and performing teaching. More fully grasp the similarities anddifferences of two School of Music, and how to give a more accurate expression of the works ofdifferent periods, better used in future learning and teaching.