The Yuan Dynasty 赵孟頫 Music Aesthetics Research

Zhao Mengfu（1254-1322）is a painter and calligrapher of the Yuan Dynasty, whom is adescendant of Song Royal. He is an officer of Yuan Dynasty, ups and downs in his life.Because of his Special identity and social destiny, he still in the contradictions among worries.In politics, Zhao Mengfu has the ideal of“economic world”to server the people. Due to theofficial implementation of the ambitions was not be given to he by Yuan rulers, thus creatinghis Extraordinary insight in Art under the influence of Confucianism, Buddhism and Taoism.,and this just is his spiritual convert. From the perspective of art history to see poetry pianopainting became his spiritual sustenance, it is also objectively made his contribution to thedevelopment of cultural heritage.The reason why I selected Zhao Mengfu in the title due to the ancient Chinese astronomicalcalendar, histories, philosophy, poetry, and painting, which have been interested in samestructure model. Through a series of search and learning, I found that Zhao Mengfu’sachievements in the arts, involving aspects of poetry, calligraphy, painting, music, and seal.More attention due to his achievements in calligraphy and painting, many scholars study, therelative is their musical achievements are relatively thin, the few people interested. Ofcourse ,the so-called thin ,is not meaningless synonymous. His aesthetic thought of music isstill worth thinking today. This paper uses Zhao Mengfu’s only two music theory,“YueYuan”and“Qin Yuan”as the original research to explore the aesthetic thought of music and itsphilosophical origins, then try to analysis the structural model of the ancient Chinese andthinks perception of Chinese traditional culture angle of Zhao Mengfu being a musicianidentity.Specifically, the research process including the following levels: Firstly, though the musictheory is short length, the context and ideal are rich and profound, the context convertsweights and measures of the same law, law calendar unity, piano five tone complex eight clearmusic knowledge. It includes knowledge of the ancient operational system, such as yin andyang philosophy, like the number of easy to learn, the traditional day school, law school themusic school, and so on. Secondly, though these specific knowledge system to find ZhaoMengfu’s music aesthetic connotation, which includes the old-fashioned aesthetic pursuit,placed ritual system to reach the music and of the United States, the order of beauty andmusic education functions, and thus embodies the its aesthetic ideology isomorphism forpsychological understanding. Thirdly, try to explore the aesthetic thought of music and its philosophical origins, try to analysis the structural model of the ancient Chinese and thinksperception of Chinese traditional culture angle of Zhao Mengfu being a musician identity.I think that the people likes Zhao Mengfu such diverse knowledge structure of ancientChinese, is a group. They thought the knowledge structure of interacting with each other,influence each other. Zhao Mengfu’s music aesthetics course of the study can be seen in thisgroup is a mode of thought, they placed the metaphysical philosophy of theory that man is anintegral part of nature, and a physical manifestation of "Harmony" thinking connecting itsupper and lower relationship take like analogical thinking is like the ancient Chinese wisdomof thinking, which is the spiritual connotation and value the significance of traditionalChinese culture.