| Since the20th century, under the influence of science and technology, regardless of idea or form, the art has undergone enormous changes. With the combination of modern science and technological means and artistic thinking, new media art came into being. Its birth and development is a remarkable fresh idea, its rapid development also promote the innovation and transformation of traditional media art, open a new window for the development of the film art. Interactive movies receive its rapid growth by the new media technology, and its all aspects of interaction bring almost revolutionary impact to the traditional films, thus attract extensive attention from the researchers in the field of film art.As a fresh new form of image, the interactive movies have the charm that could not be resisted by the audience. And as one of the essential characteristics of the interactive movies, the performance of interaction has become increasingly prominent. And interaction has become a higher level of the development of the interactive movies. The intervention of interaction makes the form of image narrative shift from linear to nonlinear, and the creative method changed from closed to open and pluralistic. Besides, the audience also experience the exciting viewing feeling profoundly. The interaction of the interactive movies turns a passive audience who is sitting in the theater quietly enjoy the movie into one or a group of people actively take part in the film-making process. The films become the objects that can be manipulated and played by people.Firstly, this thesis starts from the connotation of the new media art, according to the preliminary definition made by the domestic and foreign scholars, followed by a brief introduction to the concepts of traditional film art and interaction, leads to the concepts and four main features of the interactive movies:the interaction of the experience mode; the creation of plastic art; the enhanced sense of space and time; the open mode of thinking; as well as the expression of the differences between traditional films. Chapter three and Chapter four are the important chapters of this thesis. Chapter three focuses on the form and performance of the interaction:narrative, creation and viewing performance. Chapter four made analyses on the negative characteristics of the film interaction, and finally gave a positive outlook on the interaction of the development of the future films. Chapter five created a simple script, took a non-linear narrative mode to make practice on the film interaction.In this paper, the author made analyses and researches by date summary method, comparative analysis method and creative practice method. For the researches on the concepts, the author mainly used the data summary method, made use of the library, network and related information comprehensively, and summarized the research findings made by the previous scholars, thus achieved the purpose of understanding the interaction. As to the recognition of the interactive movies, the author made comparative analyses on the traditional films. By analyzing the new and old films, the author found the new characteristics of the interactive movies in the new media art. Besides, the author made simple creative script design by the use of interactive principles, so as to achieve the purpose of subverting traditional film thinking.The innovation of this paper lies in the systematic overview of the movie interaction, the summary and analyses of the performance of the film interaction, and the analyses on the negative characteristics and related strategies. Besides, based on his non-mature ideas, the author created a little script to manifest the interaction.At present, the interactive film industry in our country is only "Lotus Just Buds", the above mentioned analyses on the interaction of the interactive movies can better guide the creation of our country’s interactive movies, promote the healthy development of the interactive movies by leaps and bounds. |
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