Beijing Dialect Jingyun Amorous

China ’s national vocal music has experienced since the founding of new Chinasixty years of development, from the initial" foreign soil dispute" and national vocalmusic teaching sessions bring colorful flowers by the academic.The major musicinstitutions(this paper mainly relates to the Shenyang Conservatory of Music,Shanghai Conservatory Of Music, China Conservatory of Music) to establish playsa key role on national vocal music development.after the "Cultural Revolution",China’s national vocal music has been considerable development, a large number offamous singer active in a wide stage, national vocal music in the theory ofperformance and singing skills and other aspects have made brilliant achievements,but lamented that China’s national vocal music art very influential at the time, alsoappeared such as" national singing style tends simplification", emphasize"Westernized"," new generation" of national vocal music singing for singing stylegrasp on the lack of" taste" personality and voice. The national culture absorption andreference still has long way to go.Beijing Opera since1790,after200years of history transmutation,developed onthe basis of Anhui opera, Chinese opera,Kunqu,Shaanxi,Gaoqiang andnon-governmental popular song. in language, singing, solo and band type,configuration, profession are self-contained art standard. Peking opera artdevelopment today, is also the inevitable problems, such as reduction of new listeners,works not much, make the personage inside course of study to frown. In activeexploration, vocal music and opera have cross, such as music, singing styles andtechniques of each other, the artist’s communication and promotion. With the Pekingopera music elements of national vocal music works in the theme, melody, singingundoubtedly has become an independent school.The second part of this article in discusses ethnic vocal music and opera mutualabsorption combined with the necessity and importance of the industry presentsituation in detail, as" Hometown is Beijing" and" Mei Lanfang" two pieces from thestructure, language, breath, performance and other aspects of meticulous,multidimensional analysis,, and creatively added to piano accompanimentrequirement.The third part of the article focuses on the Beijing Song of this art form isdiscussed, the filling and enriched the teaching of national vocal music performancesby using the library, enriched national vocal music vocal skills and charm of thepractice and theory of support. Opera performances joined the national vocal musicworks of interpretation, enhanced national vocal music rendering power and artexpressive force. Beijing song will be a good tradition of art popularization in PekingOpera, almost go from bad to worse when new appeared in people’s field of vision. Itis a distinct sense of the times and vitality, more easy for the public to accept and sung.The author also mentions the television networks and the emergence of the national vocal music, opera, Beijing song development and promotion of great significance.The end of the article, the theme of sublimation, prominent author innovation-(Ι) the national vocal music and opera separately as a unit, and creativity to thepiano accompaniments requirements.(Π) for" Beijing Song" this art form are discussed.Inaddtion,the author of this paper puts forward more efforts, for the great rejuvenationof the nation, China shine with great splendor culture prospects of the struggle.