Reference And Application Of Peking Opera Elements In National Vocal Music

National vocal music art and Peking Opera art share the same roots and cultural connotations.Although they are two vocal music systems,they promote each other and complement each other in the long-term artistic practice and historical evolution.Over the past two hundred years,Beijing Opera has formed a set of mutual restriction,regularization and standardization procedures,which are more comprehensive and complete in music,singing and other aspects,and have higher aesthetic requirements.National vocal music can draw lessons from the techniques of invigorating Qi,stealing Qi,lifting Qi,sinking Qi,bouncing Qi and breathing in Peking Opera,and the techniques of pronunciation in Peking Opera such as "Xiaoyin Method","Nozzle","Thirteen Ruts","Reverse Penetration Method" and "Reliance on Character Method" to achieve the purpose of "correct and reasonable character tune".It can draw lessons from the main tune and guest tune of Peking Opera.The dramatic quality of the work can be enhanced by the comprehensive use of slabs such as slabs,loose slabs,guide slabs and rockers,and the second creation of drag tunes can be made by drawing lessons from the "power" and "size" of Peking Opera,i.e.the restraint and setback,the huff and puff and playback,so as to enhance the expressive power of the singing tunes.The bending tone,vocal obstruction tone and so on embody the charm of Peking Opera in the works,and make the national vocal music glow with new vitality.