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Women In The Film Narrative

Posted on:2013-09-29Degree:MasterType:Thesis
Country:ChinaCandidate:Q LingFull Text:PDF
GTID:2245330374969972Subject:Comparative Literature and World Literature
Abstract/Summary:PDF Full Text Request
Based on the new period movie (film) Mongolian images of women for the study, using criticism theory, cultural studies women theory, the important female images in the film the deconstruction sex read. Follow the Mongolian film development, a present to the mainstream movies, commercial film, literature and art film images of women do the rheological diachronic interpretation. In the paper the female movie practitioners works as an example, this paper discussed women view images of women.The first chapter, and discussed in the early’1980s shot of the Mongolian women in the mainstream movies the sex of the image blur and stereotyped problem, detailed analysis of the women to look at home/countries’relations, how to become empty can point to, how to be the items, how to be defined for social order the existence of the problem such as the outside.The second chapter to the1980s to the early ninety s the rise of Mongolian commercial movie images of women as the research object, the female images will be summarized as "revenge goddess" type and "disaster root" type, the sound from the movie picture of language, reading again, and then discusses the film of women in the prototype problem.In the third chapter, and probes into the twentieth century since the start of the Mongolian art film prosperous images of women. First of all, for the movie and the amount of shaping auspicious (mother) image interpretation culture, think, frontal auspicious image mostly appeared is Mongolian intellectuals "cultural roots" mentality and modern film industry needs "conspiring to" results. Then discussed in "culture modelling body","women consciously recall" deep problems such as, reveals, on the screen women into the main, reason for the male accessories. At last, analyzed the main body consciousness of the awakening of the real female image, think they of traditional culture with the departure from the rival.The fourth chapter, from the point of view of the female movie practitioners to comb the new period Mongolian movies, to participate in mainstream movies and the female commercial movie for an investigation. Think, the movie institutionalization and stereotyped image seriously restricted the female employees to women’s identity, and Enoch clear flower directed from the literature and art in film "sky" for example, points out that, women workers in trouble and breakthrough of escape male words and necessary status.we.
Keywords/Search Tags:Mongolian, Film, Female, Image
PDF Full Text Request
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