A Study On The Movie Image Style Of The Mongolian Theme Of Saifu And Melis

Since the birth of the first Mongolian-themed film "Victory of the Inner Mongolian people" since the founding of New China,Mongolian-themed films have gone through more than 60 years of development,and in these60-odd years of development,Mongolian films closely conform to the overall context of the development of new Chinese films and continue to explore and try to explore the themes,narrative methods and image language.1979 Chinese films ushered in the exploration period.In 1979,Bai Jingsheng published this article,"losing the stick of Drama." the film industry and the film research community began the exploration of "divorce between film and drama",that is,"separating the film from the dramatic structure conflict."Abandon the pure undefinedsubjectundefined and undefinededucational taskundefined,explore the Noumenon characteristics of the film from the visual level." At the same time,Zheng Dongtian,Huang Jianzhong as the representative of the fourth generation of Chinese directors began the exploratory practice of film art,they tried to continuously improve the performance of the function of images in their creation.Chinaundefineds fifth-generation directors have also played the role of "exploring movies",stressing that movies should focus on visual dimensions.Saif,Malis,as a representative character of Mongolian films,has beenexploring Mongolian films since the 1990 s.They pay attention to the expression of film images and pursue the "big scene,big production" in the creation of images.Use the image means to highlight personal feelings and ideal value,so that the work presents a strong personal style.They co-filmed"Knight and Cloud," the Legend of the Eastern return to Heroes,"Brook of sadness," Genghis Khan,a Generation of Tiantang ",and five films won awards in images at major domestic and foreign film festivals.The breakthrough progress of these films also made Mongolian films win recognition and praise in film and film-making circles in the90 undefineds of the 20 th century.This article takes film image as the research object,studies the film image style of Saif and Malis Mongolian subject matter.By analyzing the image elements in five Mongolian films co-filmed by Saif and Malis,this paper sums up and generalizes the remarkable style and aesthetic significance of the images of Saif and Malis Mongolian films.This paper discusses from four parts.The first part is introduction.This paper reviews the current situation of the research on image and image style of the Mongolian films of Saif and Malis,and puts forward the significance and innovation of this paper.The second part is Saif,Malis Mongolian theme film image style generation overview.This paper reviews the growing-up experience of Saif,Malis director and the creation process of Mongolian films,as well as the reasons for the formation of the image style of Saif and Malis Mongolianfilms from the perspective of Chinese film context and prairie culture.The third part is the analysis of the image elements in the Mongolian films of Saif and Malis,focusing on the light and shadow,color,lens movement and composition in the film,and how to explore the ideographic function of the image elements.The fourth part summarizes the characteristics of the image style of the Mongolian films of Saif and Malis,discusses the personal growth experience,creative experience and times,and the profound influence of cultural background on the formation of the image style,by refining Saif,In this paper,we think about how to improve the artistic quality and aesthetic value of Mongolian films.The third part is to analyze the image elements in the movie of Seif and Miles Mongolian.It focuses on the analysis of light,shadow,color,lens movement and composition in the film,and discusses how Seif and Miles explore the ideographic function of the image elements.The fourth part summarizes the characteristics of the film style of the films of Seif and Miles Mongolian,and explores the personal growth experience,the creative experience,and the profound influence of the era and cultural background on the formation of the style of Saif and Miles.The image style characteristics of the Molly Mongolian theme,and how to improve the quality and aesthetic value of the film art in Mongolian movies.