The Beauty Of The Drama Stage

Bertolt Breeht was a German dramatist and theorist of the twentieth century.Its unique "alienation effecf" theory has great affection on the new period drama stage of China.This article researches Breeht "alienation-effect" theory from the stage practice perspective,to the theory as the core, citing detailed examples discussed the impact of the theory of China’s contemporary drama.The paper is divided into three chapteres.The first chapter preliminary analysis the gradient development of the Chinese drama aesthetic in the new era. The second chapter briefly discusses the concept of his theater theory,the origin of philosophy,and aesthetic system of the Chinese Classical Opera, Mei Lanfang is catalysis of the Brinell theory.The third chapter reveals the profound impact of Breeht on the pioneer of theater practice in China.His "alienation effect" theory with the pioneering drama on the Chinese stage,and make the contemporary theater aesthetic of China produced significant change.Chinese realism has added a bright touch of philosophy.Finally in conclusion,Brecht’s theater concept is built on the basis of the Hegelian philosophy and Marxist philosophy,and is the outcome of the German, Russian and Chinese classical theater system.The system of each other there are countless links. Antagonistic on the basis of mutual influence, penetration, and even promote their own development.In the eighties of last century, With the development and cross-cultural exchange,the theory by Pioneer Drama,began feeding the new era of Chinese drama.Breeht for the involvement of mainstream aesthetics of theatrical realism,broke through the single,narrow,old-fashioned concept of theater.Pioneer theater with Breeht,led to a continuing role for the theatrical aesthetic of realism,to update the theater aesthetics,and to play an effective role in promoting.All these are with great theoretical value and practical significance.