| "Aestheticization of everyday life" is a very popular concept of the most intuitive proof of this concept is going on around the aesthetic craze, our life is has been a pervasive trend of the decorative surround which, however, in-depth this issue have found that it is increasingly showing a differentiation trend on its origins, manifestations, basic values, and various schools of all kinds of theories have their basis, various interpretations of inter-linked but very different, manifestations of the "aestheticization of everyday life" has become the biggest obstacle to interpret it, because it has spread to life itself, the concept of "daily life" in today’s more complex, this increase even more the interpretation of this topic difficult. Therefore, there is a need of a comb, summed up as fully as possible the genre pedigree.The first part of the main argument of Wolfgang Welsch "epistemological aesthetic." Welsch of this idea is mainly concentrated in its reconstruction of aesthetics "to start his view, the phenomenon of the" aestheticization of everyday life a deep-seated reasons, reasons beyond its noisy fashion surface, reflecting the human understanding of the world shift the point of view. Aesthetic tendency we see in daily life is not dominated by economic purpose, but by human nature, this is the nature of the aesthetic dimension of the construct. In the period of the material resources of the underdeveloped, the aesthetic desires of the people to be realistic need to suppress, only a few people can enjoy the aesthetic of life, while the relatively rich resources and the allocation of fair modern daily life breakthrough." limit as the "aesthetic" disposable object.Welsch went on to say that, not only in daily life, we construct the theoretical foundation of civilized society as a whole are aesthetic composition, that is, is determined by the subjective and emotional. All problems are the position of the problem, as the rationality of the real foundation of society, in fact, deeply subject to the emotional impact, Baumgarten, Kant, Schiller, Nietzsche, along the way, has been in the emotional strength to a more important and the basis of the status. Therefore, the "aestheticization of everyday life" is not only a real aesthetic phenomenon is the outward manifestation of the nature of sensual carnival.Welsch’s first "ethical/aesthetic" concept. Of ethics here is not with the meaning of moral judgments, but with the origin and decisive epistemological point of view of aesthetic ability as the most basic property of the person different from the animal, and include the entire social and cultural into the aesthetics of the scope of the study.In the second part, the main criticism of the interpretation of Western Marxism on the expansion of capitalist ideology in everyday life. Western Marxist, daily life itself has a "direct", and such direct manifestations of the external information do screening inert, so it is highly vulnerable to the expansion of capitalist values."Aestheticization of everyday life" performance of the expansion of capitalism in a global scale within the aesthetic field, the general public in the face of this aggression, are often unable to see through the danger of temptation behind, always easy to be attracted by its glamorous appearance, which colonial capitalism in the aesthetic field of modern society.In order to break the colonial conspiracy to disrupt their alienation reality, some Western Marxist view that the outstanding modern art should be allowed to make the aesthetic craze resistance to wake up the public awareness of beauty, with outstanding literary and artistic works, the restoration of human nature. Lukacs, Bloch, Lefebvre, Adorno, have been correct from the perspective of the value of the literary and artistic works. It is worth noting that Benjamin is a modern technological civilization to make accurate general, he saw the impact of technology on literature and art, and a genius to predict that this effect of the wide range and extent of profound, simply because this shift to negative and negative attitudes lead to pessimism and the significance of Benjamin’s prediction of human prospects to digestion.The third part of this article, mainly the rheology of the arts in the aesthetic of the wave. Serious academic discussion point and the pursuit of art always diverse and romance, between different art forms is almost impossible to dialogue between different schools of the same art, its neither here nor there are vastly different, so the art of creative freedom. always maintained an awkward contradiction between the rational interpretation of the aesthetic. Featherstone pointed out that there is a connection between the aesthetic appearance of the developments in the field of art and daily life, the former is the latter an important form of expression, so we need to compare the two, try to draw one kind of relative credibility of the conclusions. The tendency of the "aestheticization of everyday life" of the realm of art, can be called "aesthetic of everyday life. Specific performance of the two-way flow between the works of art with everyday life and eventually become inseparable. The underlying causes of this dialogue is the popularity of the works of art, the popularization of life reflected two points, first, a large number of works of art copy, making easier aesthetic behavior is no longer a rare treat, but gradually become part of; second, upstream of the aesthetic experience and aesthetic taste, affect the creation of works of art, the art of aesthetic taste more and more close to the shape of daily life.So we sort out to find, the first large-scale art into the aesthetic movement, the pursuit of step-by-step distinction,"the slogan of art for art" marks the works of art and noble idea to start thinking about their own significance, and the aestheticism The second step is to Oscar Wilde as the representative of a group of people, aestheticism up to an ideal of life, began to shape their own dress, conversation, accessories. This is a very crucial step, it actually means that the focus of the aestheticism of creation from art to life, some people think this is the aestheticization of everyday life,"the prototype form.Benjamin believes that an important symbol of modern society lies in the unlimited reproduction of the art, which led to the disappearance of the art "Halo", and eventually led to the change of the art social function, it no longer has the solemn ritual significance, and has a political characteristics, because the authority of art has been broken, it means that the public’s aesthetic began to artistic pattern of occupation, which has revolutionary significance. Then Baudrillard on postmodern society, a further explanation, that the information had been "implosion", the virtual and reality begins to blur, the media has gradually become the dominant life be like passing out information is not reality, but analog, and even further control and occupation of mankind.In the field of artistic practice, it is being slowly confirmed that modern art is more and more bizarre forms to convey the experience of everyday life, flooded with meaningless symbols in society, to confuse the boundary between art and life, all the classics are in being questioned and the revaluation of all the lofty significance of slowly digested. In this sense, understanding,"the aestheticization of everyday life on life and art into each other. Made less strict division of the "aestheticization of everyday life", roughly summarize this topic for three tendencies, however, these three tendencies are not static, in many places of convergence and learn from, for example, Vail Shi aesthetic phenomenon "deep" and "shallow" distinction, where "deep aesthetic implicit in Benjamin’s technical decisions on color; Featherstone aesthetic appearance on the daily life of the three distinction, the same strain and Western Marxism, cultural criticism, this view is the Welsch trying to digestion historical prejudices; aestheticism, marked the beginning of the "artistic consciousness", and ultimately toward the opposite of vanity vanity of their mind Ironically, antinomy, which just became the embodiment of the capitalist nature of "alienation" has become the theoretical basis of the Western Marxist cultural criticism... similar to this link, there are many, reflects the "aestheticization of everyday life" the concept of complex and varied. The root causes of this phenomenon, it is has been plagued by the aesthetic essence of beauty, it is not only about the attitude of people on the "aesthetic" and more thinkers research it. Welsch said in his "Reconstructing Aesthetics, the ambiguity of America "does not preclude the legitimacy of America "," beauty "must take into account the diverse of its meaning, therefore aesthetics must "beyond" themselves, the only way to be "beautiful" a lot of meaning unifying, so in this sense, the "aestheticization of everyday life" jumped out of the narrow sense of "everyday life" level, into a life thinking "and" aesthetic way of thinking "as the way the problem, whether it is a" living thinking "or" aesthetic way of thinking, have almost endless rendering methods, and their combination is the broad sense of "aestheticization of everyday life." paper is to explore the "aesthetic" is launched in this sense. Welsch of this view, to the aesthetics of the endless opportunities it also brings a deep crisis, I believe that the "aestheticization of everyday life" has a multi-faceted nature of the underlying causes.Aesthetic theory of these three tied up, I found them to embody a kind of cultural differentiation point of view, Max Weber said Western culture since Kant divided into awareness, practice, aesthetic three major areas point of view, the diversification of the aesthetic is exactly reflected this polarization characteristics of modern Western civilization: the aesthetic in the epistemological field of expansion gave birth to the "Beyond the aesthetics, incurred in the expansion of the practice areas of the critique of capitalism, in the arts The expansion reflects the diversity of post-modern art. This paper the concept of "aestheticization of everyday life" in modern society to discriminate the source and impact of the clearance of three kinds of aesthetic phenomenon, and this proposition in the last ventured to try to make their own summary and evaluation. |
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