Double Presented Department Structure Of The Origin, Development And Variation

The thesis takes double exposition as the research object and studies about theorigin,development and the variation of double exposition. It analyzes the concertospan from Baroque period to the Romantic period. The thesis divides into fourcharpters,the first section of the first charpter mainly talks about the origin history ofthe double exposition,which hadn’t been discussed in details at lots of musicalworks.The second section mainly talks about the establishment of the doubleexposition sonata by taking an example of Mozart’s Three Piano Concerto. Thesecond charpter mainly deals with the subject design and structure logic of the doubleexposition,also talks about the comparision with the single presentation. The thirdcharpter discusses the double exposition’s applying to the classic and romanticperiod.Finally,the fourth charpter talks about the variation and the dispel of doubleexposition. The author presents the double exposition structure development by lots ofworks analysis and literature reviews,wishing to give a part reference to Concerto andto give relative researchment for the form.