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A Study On The Piano Concerto Of Saint - Sang

Posted on:2016-08-23Degree:MasterType:Thesis
Country:ChinaCandidate:L HeFull Text:PDF
GTID:2175330461484879Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Saint-Saens is one of the most important romantic musician in nineteenth Century France,His artistic creation during the second half of the nineteenth Century to the early twentieth Century.He lives long,and has a lot of music works.He is a man of wide interests and He was known as the “Mendelsohn” of France.He has devoted his life to the development of the French national music.Through him and at the same time the efforts of local composer.They broke the “Italy opera is dominant in France”.So They promoted the development of French instrumental music and has made an indelible contribution to the development of French music.Saint-Saens in nearly half a century of life peak years in the creation of Five Piano Concertos.However, people only known as the Second Piano Concerto and the Fifth Piano Concerto.In this paper,I want to through the analysis of historical data and analysis of music ontology alignment and some other methods to In-depth study of example analysis of Saint-Saens Piano Concerto.Based on the local analysis and text interpretation,I want to use words to describe the music.Then,I can find some of the principles embodied in the Charles Camille Saint-Saens Five Piano Concerto.Such as sonata form structure principle,music material three-dimensional interaction principle,Solo Piano and Orchestra sound principles of contrast and embodiment of technique.
Keywords/Search Tags:Saint-Saens, The piano concerto, Sonata form, Material interaction, contrast of sound, embodiment of technique
PDF Full Text Request
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