The Return Of The Spirit

Works of art and design works to bring people speaking in the perspective of accession to them may be more of a feeling of beauty, is commonly known as "applied art". Artistic spirit from long ago began to be instituted and easy analysis, but it seems that when talking about Chinese painting mentioning only. Design the case without the support of "the spirit of the design" can have considerable development? This is a question worth considering.Appreciate a lot of Japanese art and design works, however, is not difficult to find research in design and artistic spirit level, Japan has been walking in the front, which to some extent is the country’s artists and designers clearly recognize this, To own national characteristics in art and design, outstanding performance, their own inner world of artists and designers is to belong to this nation, so artists and designers will be rooted and immersed in this spiritual and cultural in this, in the expression of any desired expression, the spirit of this culture will comes out freedomThis article begins with brief "empty","no" ideological-based design and artistic spirit embodied in the works of well-known designers and artists in Japan and exhibition, followed by a brief analysis of Japan several possibilities for the formation of such thinking brief explanation, from the level of the geographic (al) position, national character and national culture. And then return to China, referring to artists and designers in China began with the spirit of Japanese art and design has a different meaning "empty""no" ideological creation-in fact, in a way that has Chinese culture characteristics of the "empty","no" ideological. After a day "empty""no" ideological contrast, analysis is more important to the spirit of the impact of art and design in the Chinese Taoist culture and trying to dig out a suitable design points-"You".