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Creating Concept Study Pandelieciji The Eighth Symphony Pitches

Posted on:2013-11-15Degree:MasterType:Thesis
Country:ChinaCandidate:A X GeFull Text:PDF
GTID:2245330395990112Subject:Music
Abstract/Summary:PDF Full Text Request
Krzysztof Penderecki(1933—)is polish composer and conductor, one ofthe most influential western contemporary composer, new music explorationstage of the avant-garde representative. The creation of the"tone-acoustics" concept of20century avant-garde composer’s creationhas far-reaching influence to the late“neo-romantic” works conform tothe traditional regression tide, has a large audience.Symphony is the mostimportant form in the creation of Penderecki, we call him "PolandBeethoven". So far, he has created eight symphonies, Symphony No.8wascompleted in2007, and in that year October Beijing the10th InternationalMusic Festival, by the composer himself command China philharmonicorchestra premiere in Poly Theatre.This article from the pitch of the creation of the concept of Pendereckireflecting Symphony No.8, divided into three chapters. The first chapterof the paper is general introduction, first of all, is selection of subjectsignificance and the current situation of the study summarized, About thespecial research to Symphony No.8is still in the blank both at home andabroad; Inaddition to,the composer of the life and creative features andcreative background and content is expounded, lay the foundation for theanalysis work history. The second chapter and the third chapter are thefocus of this article, the pitch of the material analysis is the studyof traditional music works indispensable link, this paper, from the image,scales, characteristic theme interval and adjusted tonal several aspectsof Symphony No.8analysis pitch materials, the tree of the background andmotivation, night thinkers image throughout the work, the form of thethree bigger difference, the night’s background is massive, the tree isthe motivation for short chromatic scale down, thinker theme is three andlattice questions, pitch organization form different, produce sound is also different; Chromatic, five in the only as music scale material appear,and does not constitute a mode; Tritone peace did the characteristics offive degrees interval is the work of one of modern technique; The movementof the relationship between tonal intervals reflects its number ofcreation concept, tonal relations present a pooled, traditional big minorsystem and the modern sound set set combination reflects the thinking ofthe composer tree creation idea. The third chapter is the composer’spitch creation idea, divided into trees, number and the Chinese elementscreation idea. The tree is Penderecki’s creation concepts for its newromantic unique interpretation of creation, from composers and music forthe tree, the tree that the inspiration of the composer creation idea tree,the core part of the article is the spirit of tree; Several creation ideaembodied in digital symbol and sequence structure two aspects, the worksof the use of Numbers make music abound mystery, music and digital as thecomposer of the heart punctuation, gives it the life of the mind. Chinaelement apply make this work rich east style,then Symphony No.8willbecome the intersection of the eastern and western,traditional and modern.Through the analysis of the above content, to explore the creation of thePenderecki by pioneer new romantic to change, and explores the number oftrees and music creation idea, China element apply and opened Chinaelement works precedent. Composer continuous innovation, continue to try,his music is in constant development, the comprehensive works containsmore and more content, manifests the Penderecki humanistic care thought.Symphony No.8as its new romantic representative works of creation,through the analysis of this work make us better Penderecki interpretation,and to better understand the new romantic.
Keywords/Search Tags:Penderecki, Symphony No.8, Pitch, Creation concepts
PDF Full Text Request
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