Dvorak Piano Suite "slavic Dance" Op. 46 And Play Music Ontology Research

Antonin Dvorak was born in a village called Nelahozeves in Czech and died in1904in the capital of Czech-Prague. Dvorak was a legendary composer，He wrotein a variety of forms. In vocal, his best-known works are Moravian Duet, operaDimitrij, Czech choral Stabat Mater, cantata Spectre’s Bride etc. In orchestral music,he composed nine symphonies out of which the most famous one is his last work TheNinth Symphony, that’s “From the New World”. In addition, he wrote many concertosand symphonic poem. In chamber music, he composed many trios, quartets, sextet, aswell as “Dumka”,“Poetic tone Picture”，“Slavonic Dances”OP.46and OP.72etc. forpiano. John carat Peng in his works of Dvorak commented:"All of his music has anatural freshness, this feeling tends to obscure constitute the virtuosity of the musicand the idea of a theme fees pains thinking."[1]Berlin publisher Simrock expected Dvorak to compose something like Brahms’Hungarian Dances, based on large connections of Slavonic folk dance, Dvorakcomposed “Slavonic Dances”OP.46which completed in1878. After this work cameout, it’s well received. Eight years later, Dvorak composed Slavonic Dances OP.72.All dances in Slavonic Dances OP.46are based on Slavic folk dance, the first danceis based on Czech’s furiant dance, the second one is based on Ukrainian’s dumka dance, the third is based on Czech’s polka dance, the fourth is based on Czech’s folkdance sousedská, the fifth is based on Czech’s sko ná dance, the sixth is based on folkdance sousedská, the seventh is based on Czech’s sko ná dance, the eighth is based onCzech’s furiant dance. Dvorak used his profound composition skill re-created hiswork based on the collections of folk music, regardless of writing techniques, musicalexpression, the structure of the music or language use in the folk music, all provedDvorak’s creative thinking and profound composition skills.The first chapter is the artistic career of Dvorak and "the Slavonic Dances" OP.46creative motivation, national characteristics and performance versions introduction.The second chapter is the analysis of "OP.46" Slavonic Dance music, to study fromthe music texture, structure, tonality structure and theme. The third chapter contentsof the piano suite "Slavonic Dances" OP.46performance research, grasp the overallstyle of dance, to the technical difficulties of one one research.