Exploration On Creation Technique And Playing Technique Of Dvorak’s Piano Suite "Slavonic Dance Op.46"

Antoine Leopold dvorak is an outstanding Czech composer of national music and a European composer of romanticism in the late 19 th century.Dvorak life created a great number of excellent works of music,including five first symphonic poem,opera 10,symphony no.9,more important is dvorak created two piano divertimento "Slavic dance music",the two works on him as the Czech national music representative,has the extremely important symbolic value,the research object of this article is mainly to the first "Slavic dance" op.46.Op.46 is composed of eight folk dances with simple and simple style,warm emotions and Czech national characteristics.In the selection of dance music materials,all of the original Czech national dance music,this paper is the study of the piano solo version.This paper is divided into four chapters,the first three chapters are based on the work itself to research.Among them,the first chapter is an overview chapter,which mainly analyzes the formation of the foundation of the Slavic nation and dvorak’s creative techniques,and studies the history,culture,ethnic background and background of the composer at the time of creation.There are also studies on the works,mainly including the source of the works and the status in the Czech folk music.The research in this chapter provides theoretical support for the subsequent writing.Chapter two and chapter three are both in-depth studies of the music ontology,including creation and performance,which belong to the first and second degree studies of works and play an important role in our understanding of works.In these two chapters,the most important is to study the relationship between the works studied in this paper and the creation and performance of Chinese national piano music through research.These two chapters will also lay the foundation for the fourth chapter.The last chapter is a formal entry into the innovation of this paper,is through the first,second,third chapter of the content of the study,the fourth chapter of the content.That is,op.46 of the piano suite "Slavic dance music" inspires the creation and performance of Chinese national piano music,which is the key chapter of this paper.This paper combines theory with practice,and constantly finds out newresearch paths from the research fields of predecessors.I hope that in the research,I can constantly absorb energy and improve my ability of theory,performance and teaching.In addition,starting from the study of music itself,to get new thinking,is the direction we should go.