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Dvorak Slavic Dance (op. 46) And Acoustic Research

Posted on:2014-01-16Degree:MasterType:Thesis
Country:ChinaCandidate:Y J DongFull Text:PDF
GTID:2245330398958271Subject:Music
Abstract/Summary:PDF Full Text Request
AnDongNing Dvorak (1842-1904), Europe in the19th century Czechoslovakia folk senta representative of, also is the19th century romanticism period of important composers. Thebeauty, the tower, and the cutting grams of two people and become "the Czech republic threejie". Dvorak life music creation in field widely, results quite abundant, which covers asymphony, chamber music, sound music and so on many kinds of music genre. At the sametime, also there is no lack of a large number of excellent piano works, in many piano works, ofwhich he is the author of four hand united play the piano song "Slavic dance"(op.46) isinvolved in it, and occupies a very important position. The emergence of the Slavic dance ", butalso laid the dvorak as a composer’s position. In dvorak people’s heart, the Slavic dance "is themost favorite music works, one of a complete set of music works of the YiShouShou shortpopular dance, don’t have style, unique, its show Slavonic regional human feelings, like greatvivid image of the miao ethnic customs picture scroll, more is permeated with the author’s richideas and creative ability.suite, before and after the elapsed time less than two months time. By the eight pianomusic composition. The work is not only a highly composer style of representative works, butalso the19th century piano music of typical representative works. In the piano suite, the author fully absorb a variety of the Czech folk dance forms, according to the different folk dance style,to give the rich and colorful harmony and unique texture, make full use of traditional harmonyon the basis of the techniques, bold use the romantic composing techniques, the Czech nationalfolk music materials with different styles of music natural perfect confluence is together, makethe music works both strong national flavor, but also has the features of The Times of keepingpace with The Times, so as to fully realize the combination of tradition and modern.This paperfrom the following three parts of works research discussion:The first part: this section always focus on "people"(namely dvorak) this thread. In thispart, the author will to dvorak creation process points stage division and induction; Secondlybriefly ChenShuDe wo xiake life music works and their main achievementsThe second part: this part from beginning to end around "the thing"(namely the Slavicdance "(OP.46) this thread. Firstly the paper introduces the Slavic dance "creation backgroundand introduction; In this part will be duly into the work, and beauty tower that, BrahmsHungary dance relationship. Next to the Slavic dance "(OP.46) music ontology an overview ofanalysis, the main from basic melody, rhythm, texture, harmony, melody of music internalstructure this paper;The third part: part is divided into this paper’s essence is. Its always focus on "harmonytechniques" this one main line, and then to branch different angles on the piano suite harmony in-depth analysis. It contains harmony in each level, mainly involves chord materials, harmony,mode tonality, cadence and perspective expounds respectively.The fourth part: in this paper, the aim of research is mainly attempts through the analysisresearch dvorak’s piano works the Slavic dance ", to summarize its music creation stylecharacteristics and music concept, and through the analysis of a few extremely bright harmonytechniques in the Slavic dance of the reflected, so as to explore the Slavic dance "and thecreation of the Czech national music elements, this is the innovation of this paper place. Theauthor hopes the move for piano music creation and the19th century national music works,such as the understanding of the development of all I contribute ourselves.
Keywords/Search Tags:dvorak, "the Slavic dance", harmony techniques, nationality
PDF Full Text Request
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