National Opera In Cangyuan Naren Gao Wa Ballad Singing Analysis

In the year of1995, the song and dance theatre of Liaoning province created a largely epic singing-opera named CangYuan, by succeeding in moving the theme of’the return of east’into the stage, which became a culmination of the devel opment of national opus. The experts and scholars from Music industry and every areas of the society have different angles to make the evaluation and analysis of C angYuan. This article, mainly from the Angle of the singing, makes the analysis o f the singings’parts of Na Ren Gao Wa in CangYuan, further to excavate the ima ge-building of NaRen Gao Wa, in order to explore the singing skills and image-bu ildings of female characters in Chinese singing and opus, deeply understanding the status and role of CangYuan in the history of the development in China, meanwhile improving the understanding and expressive abilities of the author in the vocal m usic. The analysis in aria singings of Na Ren Gao Wa will be divided into three p arts:The first part:the simple summary carried from the plot introduction and creat ive situation of CangYuan, to the enlightenment to Chinese opus. The second part: the analysis of perspective of singing is divided into two chapters. The analysis of aria singing is discussed in section2, the third chapter discusses the analysis of stil1singing. The analysis of singsing in the works is explored the personalities of cha racters respectively from the ontology of music, the singing techniques, and the sta ge-performance of Na Ren Gao Wa. The final conclusion part has carried on the simple combining to the structure of the article, further illustrating the function and position of CangYuan opera in the history of the development of Chinese national opus and briefly summarizes the shaping of the characters of Na Ren Gao Wa.