Under The Traditional Media To See Contemporary Chinese Art Paper And Ink Performance

In the process of contemporary Chinese painting, after collision and fusion, and the foreign art ideas andclosed, to form the present artistic appearance. Represented by "xu jiang" system before and after thefounding of art concept, formed the first wave of change of Chinese painting, into the50s, comprehensiveteaching system is the basis of former Soviet union, the impact on the traditional Chinese painting style, canbe regarded as the second wave, at the beginning of reform and opening up "five-year" trend under theinfluence of Chinese paintings in form of a variety of try and exploration, as the traditional Chinese paintingagain into the third wave of diversified performance, the21st century information age, the influx of westernpostmodernism, and other cultural consciousness research, make the forms of expression of traditionalChinese painting, manifests the pure artistic ontology more expressive, reflects a kind of great "flowering" ofthe overall situation."Chinese painting" to expand the scope of performance, from the traditional Chinese painting painting underthe paperweight form the single form to a variety of samples, and even come off from the paper and sculpture,the contemporary media and devices, computers, design tools such as material is poured into the creation ofChinese painting.In today’s international art, all kinds of art works has the narrative function quietly be replaced by thecreativity of art creators themselves. Yet at present by the authority of art from all walks of life affirmation ofChinese contemporary art field, few domestic artists of modern emerging materials and media to do systemresearch, the art of author’s life experiences and emotional intelligence is the ancient Chinese and modernrevolutionary period of the landmark image and deeds such as narration and literary features, so now can seethe Chinese contemporary art criticism of the society more frequently than the classical cultural tradition ofthe further exploration and pursuit of art itself, the more the lack of modern industrial and technologicalmaterial and medium sensitive, relative to the traditional Chinese painting ink painting is the focus of thetechnical tradition rather than innovation.In the field of Chinese painting, the traditional four treasures of the study still is the mainstream of thematerial by replacing ink is still the basic elements. Although pen and ink is kept in use, but the art of "penand ink" interest has gradually become weak or even dissolve. The development of science and technologyand people’s ideas, the appearance of many new materials, media, the traditional writing brush by variousalien or new tools to replace gradually, fibers, films, water-based materials, even in advanced computerscience and technology of painting software about the ink and brush brush has tens of thousands of species,the artistic effect of the ink itself is weakened in different extent. But the water in the elements of traditionalChinese painting, ink, paper, both the aesthetic tradition of "pen and ink spirit", one thousand years of cultural accumulation and human feelings is difficult to be replaced by the new medium of materials ortechniques; Pen, ink, rice paper material such as creation, in the concrete experience of artistic creation andapplication is a unique Oriental art features, is manifests the originality and nationality. Grasp ofcontemporary artists’ creativity and explore the application of paper and ink art to contemporary China, to thediversity of contemporary international art performance is provided in an eastern style of contemporary art.