Study On The Social Basis Of The Traditional Culture Phenomenon

Chinese traditional culture originated from the social life. To understand and inherit traditional culture, we need grasp the social basis of the culture. This article summarizes the social transition of Lvjv in the angle of the sociology of culture and the history of social thought systematically, whose success or failure were placed in a specific historical environment, trying to explore social thought from classical repertoires of Lvjv, reconstructing the blood ties between Chinese traditional culture phenomenon and its social foundation. This paper is divided into four parts:The introduction part discussed the reason and significance of this article, the summary of current research, and research ideas and methods. Chinese traditional culture especially the folk drama is a weak area of the current social science. Chinese traditional culture contains a large number of social thought, there is an urgent need to explore this reasure house. This paper studied the social basis of traditional culture from the angle of sociology, expanding the sociological research fields, and offering advice and suggestions to the development of traditional culture at the same time.The second chapter described the transition history of Lvjv systematically. Art arises from life, Lvjv originated in the Yellow River Estuary where refugees sung to beg for suvial. The special social ecological of Yellow River Estuary gave Lvjv unique charm. In a short span of fifty years, Lvjv developed from the folk song to the national opera, whose development process is a continuous and interactive history of society and the public. Rooted in the folk society, learned strong points widely from other arts is the tips of the rapidly growing of Lvjv. Politics as a kind of important social factors, there are complicated logic relationships between traditional culture and politics.The third chapter explored and analyzed the civil society thought from the classical repertoires of Lvjv. As a kind of grassroots culture, Lvjv reflectied the norms and social ideal of the civil society. This chapter discussed four themes of20 classic Opera repertoires separately:the family ethics, social justice, social view of love and marriage, and the view of social gender, summarizing three features of the civil society thought:the coexist of secular and utility, the bidirectional interaction of ethics relations, the prominent of" love" dimension.The final part explores the survival crisis of the contemporary Lvjv art. This section starts with the controversy of " doomsday" and" Renaissance" in both inside and outside of the current academic circles, summing up a summary of the current survival crisis of Lvjv in four aspects:troupe, talent, market of performance and the creation of drama. Finally, analyzed the social causes of current survival crisis in three aspects:the double effects of social environment and the cultural market, the thawing of political frozen and culture system reform, two relations in the artistic creation.