Study On The Raiment Of Mongolia Nation Shaman In Inner Mongolia Area

Shamanism is a religious primary Mongolia nationality, it is the primitive human beings in the process of belief and worship, generated by the development of the ethnic tribal society. The Inner Mongolia Autonomous Region Tungus Ewenki, Oroqen, Daur nationality, Mongolia branch of Mongolia have historically been shamanism. While the Mongolia nationality religion in history there have been various denominations into the situation, makes the Mongolia family Shamanism compared to other national Shamanism showed regional features and ethnic features unique. As the original religion, study of Shaman culture difficult to worship God from many ethnic consciousness roots to inspect, and Shaman remains, in an era of traditional way to be retained, so that people can do the further research on the shaman culture. The Shaman spell with carrier material outside of the Shaman’s spirit, in many of the skulls, shaman dress became extremely important symbol, it not only reflects the Mongolia family of Shaman spirit worship implication, is a sign of Shaman mana hierarchy, or Shaman Shi Zhanfa, God’s material medium.Based on the study of clothes in Inner Mongolia background, research object and content, research methods and significance to do a simple exposition, for clothes and Shaman culture studies in the field, at the same time to sort out the international and domestic research, to study the more far-reaching in Inner Mongolia shaman dress field.The first chapter shaman in Inner Mongolia area and the Mongolia grassland were summarized, including Mongolia, the shaman inherited and functions are analyzed, the development of Mongolia nationality shaman and elaborate on the shaman are listed and its meaning.The second chapter discusses Mongolia shaman ideas, including the Mongolia Shaman’s world view and outlook on the soul, and then the former under the influence of the gods worship system analysis. At the same time, in the second chapter of the shaman ceremony were classified and described, aims to illustrate and significance of Shaman dress in ceremony.The third chapter one by one through the analysis and comparison of Mongolia shaman costumes and device type, shape, materials, patterns and shapes, and in the actual investigation of the data measurements will feature modeling, shaman dress symbolic significance and aesthetic characteristics.The fourth chapter art characteristics of Mongolia shaman costumes for analysis, in-depth interpretation of the shaman dress inheritance.The conclusion part for the art features of Mongolia shaman costumes are summarized, and shows the importance of clothes for folk culture and Shamanism itself.