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A Discussion On The Narrative Art In White Castle

Posted on:2014-10-24Degree:MasterType:Thesis
Country:ChinaCandidate:S S PengFull Text:PDF
GTID:2255330398488840Subject:Comparative Literature and World Literature
Abstract/Summary:PDF Full Text Request
From the problems in domestic research of Pamuk, this thesis found that the study of White Castle in Pamuk’s research lagging behind the study of other novel of Pamuk. With this situation, it has formed that the value of White Castle is disproportionate with research. And it has caused phenomena of Pan-cultural criticism and the proliferation of Humanities in Pamuk’s research. By the above two main problems, this thesis foucus on the study of White Castle and the research perspective of narrative art in White Castle. This thesis firstly created three Novel theoretical perspectives----legendary of preface discourse space, constitute art of three central plot, vision of narrative me. Focus up from the Language Arts White Castle art aesthetic analysis is the focus of this article and innovation. The thesis consists of an introduction, three chapters, conclusion.The introduction concentrated mainly on the problems, research status, and study specific problems, the paper and the significance of the topic. And, on a related to the definition of some key words, explanations of special nouns, illustration of White Castle internal plot.The first chapter consists of three sections. This part defined mainly on the nature of Preface in the White Castle. And focused on the process of the nature of the Preface how to establish. Finally, it summarizes the meaning of existence value of Preface in White Castle.The second chapter consists of three sections and focuses on the constitute art of three central plot of the novel-"writing","plague" and "weapons". The first section focuses on the relationship between "writing" episode as an unfinished plot and "plague" episode as a sudden turn in the plot as well as its internal core event. The second section focuses on "weapons" episode as a complete plot sequence its internal disharmony exists. From the above discussion in the third section the relationship between the three central plot and the resulting artistic effects to sum up the significance of its value.The third chapter consists of three sections. And Mainly discussed two performance methods of vision of narrative me in the first-person retrospective narrative perspective. The first section focused on the one performance method of vision of narrative me and narrative time, proposed a narrative of vision mode" time+review". The second Section focused on a complementary relationship between vision of narrative me and the meta-narrative. By the complementary relationship, the meta-narrative becomes another performance method. The third section discussed the significance of the two performance methods in the legendary of Preface discourse space, constitute art of three central plot and paid attention to the important role of the two performance methods in the study of Pamuk.In the conclusion, firstly several issues need to be cleared in the study of Pamuk. Secondly, Comprehensive summary of narrative art of the White Castle will be given. Thirdly, a glimpse of the artistic style of Pamuk from the narrative art of White Castle should be proposed.
Keywords/Search Tags:Orhan Pamuk, White Castle, Art, Discourse Space, Plot, Narrative Vision
PDF Full Text Request
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