The Localization Of Piano Art In Huhhot

The art of the piano in Huhhot has unique regional culture and distinct national feature. This article applies the localization of piano art in Huhhot, and summarized derive of piano art and the development of the piano art in Huhhot for using fieldwork method and social investigations. Analysis the characteristics of the audience and music consumer types of the piano art in Huhhot. Therefore, reveal the localization of piano art and distinguish the relationship between the piano art and local traditional culture.The text is divided into four chapters. The first chapter is an introduction of Huhhot, including the geography, local history and culture, also introduced the original of how does the piano inputted in Huhhot. The second chapter focuses on the people who want to learn piano, their motivation and group characteristics and other aspects. The third chapter illustrates the consumption types of piano art in Hohhot, including the purpose of the consumption, localization characteristics as well as the structure of teachers and so on. Summarizing the mutual consumer relationship of piano art from "traditional" to "Creation" in Huhhot. The Last chapter discussed the creation and localization performance of the piano art in Huhhot. Especially discussed the vivid piano music melody performed in Mongolian style. Reflect the character of Mongolia musicians.The four chapters mentioned above, summarized the regional localization and national characteristics and also contrast the development of the piano art in Huhhot from the other areas in China, to discover and evaluate the developing trend of piano art in Huhhot. And to found the disadvantages of piano art, in order to improve the professional level for all those engaged in piano music and art workers to have a deep thinking. And have a positive effect on our future teaching of piano, commercial activities etc.