Exploratory Analysis Of Chinese Piano Music Works From The Perspective Of Localization

This thesis mainly adopts the research method of combining history and reality.Based on the analysis of the music science,the thesis not only rigidly adheres to the purely textual analysis of piano works,but also pays attention to the history of piano music and cultural connotation,exploring the characteristics of localization of works of art of Chinese piano music from a multi-dimensional perspective.The purpose of this thesis is Chinese piano Music works.By analysing the characteristics of the works' techniques and combining the cultural background and characteristics of the creation time,the thesis summarizes the characteristics of localization of Chinese piano music works.The author divides the full text into four chapters.The first chapter introduces the localized piano works at different times in our country,mainly exploring the styles and characteristics of localized piano works in different periods,supplemented by the analysis of different composers' works at different times,achieving the consistency between practice and theory.Based on the background of the composer's creation,the second chapter explores the characteristics of the localization of Chinese piano Music works from various perspectives.The third chapter selects the representative works of four periods to analyze,not only catering to the classification of the first chapter at different times,but also echoing the analysis of the second chapter.Grounded on the localization,the fourth chapter reflects on the piano music.