Print A Symbolic Language Study

Paper-cut is China’s most popular folk tradition of decorative arts, has a long history, is the country’s precious heritage, since ancient times, not only the performance of the rural masses aesthetic preferences, it also contains a people’s mental activity, expressing desire, is the most Features folk art with one of its styling feature is particularly worth studying. Folk paper-cut modeling simple, cute, decorative, rich in meaning, expressing the longing for a better life in the Popular wish. Paper-cut can be passed to the modern, mass oral tradition, hands-on teaching contributed. Today’s clipart, there also exist some problems, and paper cut, how to the new era development, how to innovation, make our generation to face problems and mission. The traditional art is the root of all plastic art, always can’t fault, so in our studies of how to clipart for innovation, still in the traditional basis. Our country folk paper-cutting, as Mr. Lu xun said, is the producer’s art. Shanxi folk paper-cutting breath is very thick, carefully observe can find that some works very natural, straightforward processing, paper-cut amateurs make things as the crowd, there are always some way of students to speak. These are the traditional folk because we learn things is not enough.In the Inner Mongolia autonomous region paper-cut artists also try for the development of the region and the clipart do efforts, but in Inner Mongolia region of paper-cut works, found in other parts of the works and there are the same questions:first, the paper-cut art language not solve, performance for close to painting. To solve this problem, the traditional learning is the primary task of the paper-cut artists, especially the novice, to open mind to study, their most rural woman knows clipart characteristics, took the scissors cuts, and we also design first, copy, by the influence of the institute of the.move, and the creation of the old rural experience slowly wore off. Second, to the traditional learning is not enough, and display it in the art workers paper-cut works technique and style diversity, do exist ignores phenomenon. Over the past few years and some development, but not enough. The traditional folk paper-cutting technique and style is varied, and each man each district is different, be worth us to go to the thorough experience. Third, the innovation breakthrough, honest traditional learning, and then to emancipate the mind, bold innovation, new, learn some traditional, the study of traditional innovation, also can draw lessons from brother type. Don’t move from hard, learn it dared to think, make individual character of things. In addition, paper-cut content and form to combine.We can will traditional Mongolian design used in paper cutting in the center, make its national flavor more strong, to carry forward the grassland culture has the very good progress, but in the use of time can’t derivative, to research the Mongolian pattern of the connotation of national behind and lasting appeal, deep deliberate, will be in the art of grain appearance in paper-cut are scattered, and Mongolian Mosaic design and restructuring.The Mongolian region clipart carry forward, make it with other regional paper-cut such as shanxi, shanxi regions of the paper-cut, can the world famous, this also is in with other regional clipart of a contrast innovation, also can make the paper-cut art more vitality of tactics, in graphic design elements of performance scattered and reconstruction.