Family Portraits And Royal Portraits In The Context Of New Art History

The epoch-making innovation of image’s implication occurred under the concept of new art history. The status of image’s that in Arts to be recompiled. For the day-to-day culture, visual culture, art and culture, they are common development and start caused scholars are concerned about a new form. This is a new concern for historical images that put it in a new context. Put the studying of images in mufti-cultural which comprises Arts, history, sociology, etc.This article is based on the ancient image-especially aristocratic portraits. The research is based on visual culture, and research framework is the new art history context. The research approach is that put the image in continuous and open dimensions of time and space. In this way, we can study the cultural values of the image. There are two innovations of this paper:First, the research framework is the context of the new art history. In addition, the study used "non-public arena","non-historical" perspective and integrated approach.This article is divided into three parts:The first part discusses the context of the new art history. On the one hand to sort out the concept of visual culture and the pedigree of new art history. The second part is the case of the family portraits. There are five parts in entire discussion and diversified study a family. The case of the third part is portraits of the royal family. In this chapter, we will discuss the system of succession to the throne and study the Foreign Policy of the royal marriage. At the same time, we will view the information which has been included in the image. This information may prove art revolution, social revolution, the Cultural Revolution, etc.This article I want to achieve the purpose is, that transformed "political symbol" in the history and "eminence’s symbol" in social into emotional people under the premise of humane care itself.