Forging The Self-exclusive Bizzare Space-the Oil Painting Language Interpretation Of Yu Xiaofu

Yu Xiaofu has been a “senior and well respected” figure in oil painting sector who hasgone through scar art, local realism, neoclassicism, new generation as well as easel painting.He has occupied a significant position in the oil painting sector in China especially the oilpainting sector in Shanghai. When the easel painting is diagnosed of alogia under the doubt,challenge of modern art and when most of the artists have lost their patience in figurativepaintings due to various reasons, many domestic big figures in art sector who have gainedgreat achievements gradually lost their reform goals. The excitement degree and sharpness ofthe work have gradually lost. Many “hero” in China have abandoned darkness for light in thetransformation period of Chinese culture.Most of the people have been subjected to the fate of “market end”which they take forgranted in the cultural rheology process. However, Yu Xiaofu still adheres to route of easelpainting since his oil painting works are not restricted but promoted. All of those should becontributed to his unique oil painting language. His scene is full of both reality and image.Moreover, his sharp and free writing skills have not only enriched the deep connotation it alsohas the deep and elegant state. The humorous, nervosity, bitterness as well as the connotationof both eastern and western culture have all been included in the image formation in thepicture.From1950s and1960s, the Chinese painting industry has displayed a variety of formsand new talents emerges constantly. It was during this historical period that Yu Xiaofu hascompleted his absurd and distant dream,. He is a person who will not turn his face around toan age. Therefore, he continues raising his hand so as to solute to the classical culture. Hestands in the realism battle field to focus on modern art and deliberate its essence. The paperis based on the large amount of oil painting produced by Yu Xiaofu and further discussion isconducted to analyze his unique oil painting language from object aspect (first chapter),external aspect (second chapter),internal factor (third chapter).