The Influence Of The New Realism Oil Painting Language To My Painting Creation

From the beginning of western modernism, drawing core by the narrative turn language. In this paper, starting from Cezanne, to try to explore new realistic painting language of oil painting to painting from the imitation of natural reproduction, narrative, symbols and so on some new realistic painting language independent non essential factors in the shape, color, body is the core of the language of painting, the geometric difference of painting and color modeling as the core the new realistic painting. The rupture of a shared some elements before photography and Cezanne’s realistic painting, realistic painting is no longer for the reproduction of the objective reality seems to be the reason of existence can be collapsed, a photo or a video to explain everything. Then the painting to painting itself is returned to the visual thinking up, so Cezanne and the other is the basis pursuit after the new realism, not in the original single point perspective, anatomy, color and appearance to watch the way the basic visual elements, returning to the drawing plane division figure of deconstruction and positive and negative shape the reconstruction of geometric shapes, properties, color and color and so on in order to observe the way, to maintain the core status of painting language, emphasizing the language body weight. Through the analysis of the language of painting before Cezanne turned to me, finally in the oil painting creation thinking and practice of the process, from the perspective of influence in this new realism oil painting language of individuals under observation and selection.