Qian Xuan Flower And-bird Painting Style Evolution-in The Eight Flowers Volume And The White Lotus Figure, For Example

And the early yuan dynasty, it is from fine pen realism to ink painting freehandbrushwork in traditional Chinese painting, Chinese painting from the palaceYuanHua as the mainstream to the critical period of literati painting for themainstream. Qian Xuan is an important representative figure in this period. Heconcentrated art, landscape, figures, flowers and birds in the area have madeimpressive achievements, flower-and-bird paintings of his works, especially has aunique artistic style and the development of clear venation. Qian Xuan from early tolate, the most representative of the two painting\"eight flowers\" and\"white lotusfigure painting style, its work style and techniques gradually from the pure wish toShuFang, by becomes more elegant; Thread and reservation is moist, color and moreplain simple; Original of a gorgeous palace style, replaced by plain spend coldfinches, made of plain and quiet. This paper through studying the change of timesbackground, the change of mainstream literature thought, change in one’s mentalityand aesthetic orientation changing ideas, thoughts, identity and personality changeinfluence on Qian Xuan style evolution, carding and show a complete Qian Xuan, atthe same time entered Qian Xuan for\"traditional\" inheritance and innovation, andits realistic meaning on their own points of view.