Cultural Interpretation Of Chinese Historical Documentary In Twenty-first Century

Since getting in the new century, in the cultural background of new historicism, historical consumerism and multicultural reciprocal transformation, the Chinese documentary films of historical theme have broken a mess in our history of heavy haze and stand out with a new, chic attitude quickly. Taking the "the Old Summer Palace’、"The Art of Dun Huang" of Zhou bing, the "An Army Reborn"、"Legend of The Tang Emipire"of Jin Tiemu for example, the documentary films of historical theme in our country have formed a blustery, climaxing and excellent creative peak. The documentary films of historical theme have combing the state and nation’s historical and cultural heritage not only in the way of "Historiophoty", but also re-interpretate and review this heritage in the way of cultural significance.This text is based on the historical documentary films created since the new century in China, apply primarily such as the Film and TV culture, Communication Studies and Narratology to cultural criticism it systematic and thorough. First of all, combing the development and creation linguistic environment of documentary films of historical theme in the new century in our country from the perspective of contemporary cultural; Secondly, witnessing the multi-dimensional cultural theme and deep cultural connotation through analyzing lots of opus; Then, start from the perspective of the narrative level, with comparative analysis, case analysis method, sum up the narrative new change and cultural characteristics of our documentary films of historical theme in the new century; Finally, based on the cultural difficulties of documentary films of historical theme faced in the new century, the text gives its specific development path from brand promotion, cultural integration and historical narrative.