Performing Treatment And Teaching Inspired In The Main Aria Of Yang Xiaodong In The Opera Struggles In An Ancient City

The development of modern Chinese national opera is relatively backward inwestern opera art.Therefore, the development of China’s modern national opera arebuilt on the basis of fully learning from the western opera art for a long time andcontinue to strengthen and improve the national culture and the characteristics of theethnic music in the process of development and formed its own unique opera artfeatures. The opera STRUGGLES IN AN ANCIENT CITY is one of the typicalrepresentatives. It is one of the most excellent works of literature and thecontemporary China’s national opera and it is also one of the latest work ofcontemporary Chinese folk opera.Music material is given priority to local folk songsin hebei and in shanxi, shandong and henan local folk songs is complementary and itadd the Japanese music material. Through the clever arrangement build ups anddowns of the plot. It depicts the series moving picture during the Anti-Japanese War tothe people under the leadership of the communist party underground workers startdrag-out fight with the invaders. The opera carry forward the great patriotism spirit ofresistance.The author will use the opera STRUGGLES IN AN ANCIENT CITY Yangxiaodong’s four major sung as the research object in this paper. Through the studies oftheory and data related to the opera the author analysis two aspects,one of thecharacter image creation and the other is singing skills of Yang Xiaodong, andcombined with practical teaching, and puts forward the teaching inspiration availablefor reference.Full text is divided into four chapters.First chapter has carried on theoverall introduction of the opera STRUGGLES IN AN ANCIENT CITY from theopera’s creation background and process of historical background and outline thestory happened, the theme of the opera and opera the music features of thought andtechnique details. The second chapter analyzes Yang Xiaodong’s four main sung, andanalysis the four make music ontology. the third and fourth chapter is the focus of thearticle. The third chapter analyzed Yang Xiaodong characters in the image featuresand performing skill two aspects in the four aria through the expression language,action and analysis the characteristic of character image, from action expression,breath, articulation, cavity resonance of singing skills processing is discussed. Thisemphasis on singing skills and the shaping of image of complementary and mutual fusion and for Sing solid capability, enhance the level of singing and stageperformance to provide some Suggestions. The fourth chapter combined with myprofessional and get four teaching general laws: guide the student to furtherunderstand the the background of the theme, guide students to understand art style,encourage students to creat the song again in the opera studing and improve students’comprehensive art qualities. To provide some reference for the vocal music teching inthe future.