The Timbre Of The Clarinet In The Woodwind Quartet Folk Music In Five

The clarinet is a woodwind instrument in the widest range of instruments and has a unique sound personality, plays a key role as the connecting link between the preceding woodwind quartet in five. In China, the development of the clarinet for almost100years, especially after the founding of new China, with the development of the cause of music culture in China, our country a number of composers for Clarinet this exotic, to make foreign things serve China, Chinese and western academic attitude, creating some relevant clarinet works. In the actual playing woodwind quartet in five, clarinettist how the special timbre clarinet to active control especially for our national music interpretation, in order to achieve with other musical instruments sound more fusion, is worth studying. Tone multiple attributes of the complex, has been difficult to discuss the complete, so the analysis layer by layer affects the tone of the factors, and expounds the clarinet sound changes in the objective and means more academic significance. This paper studies the requirements for Clarinet and clarinet timbre woodwind quartet in five development, carries on the analysis from the two aspects of Chinese musical elements and psychological factors, and to Wang Yongxin’s adaptation of "dance music of Yao " woodwind five quartets as an example, based on the analysis of music, from the clarinet timbre imitation of Bau, the sound initiation, maintain and release, effect of four aspects of application and intensity of breath and mouth of the clarinet timbre are discussed, thus a concept more clear on the clarinet sound in the expression of intention, works at the same time, a better characterization of the music, and the ensemble effect more fusion.