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Modern Movies Adapt Of Chinese Contemporary Classical Stories

Posted on:2014-11-24Degree:MasterType:Thesis
Country:ChinaCandidate:T J WangFull Text:PDF
GTID:2255330401962247Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
This article focuses on modern Chinese fiction classic contemporary film adaptationof this phenomenon analyzed. Construction and Deconstruction of modern Chinesefiction classic, analyzes the construction of modern fiction classic in the context ofpopular modern Chinese fiction film adaptation. First of all, the term "classic" is definedinto the construction and significance of the modern classic novel is the specific contentof the literary classic, building conditions and the value of the best explanation. In thecontext of popular modern Chinese fiction film adaptation of the the moment MassContext old song new album, have long been formed from the the two adaptation climaxof the last century50’s and80’s own adaptation mode.Then this article has both novels and movies both similarities and many differencesat the art form of comparison: the novel from the reading experience that the novel ispiling up by the text from the picture with unlimited imagination and way of thinking is aprivate thinking reading experience analysis; the fresh vitality Communication turn thefilm from the the lens directly charm, image, and sound in the narrative is an interactiveviewing experience to analyze, to think that the Chinese Modern fiction classic highculture as a highbrow movie in the contemporary social context more often guide andinfluence of mass culture and mass demand, both focus on a more profound meaning anda more focus on intuitive the image.The focus of this paper is the novel and the film adaptation of its transformationprocess, that is small when it comes to film adaptation of process from the aesthetic ofthe text to image conversion, the reason why the novel was converted into a movie, somedid not, because they were adapted the novel and the film has some internal fit, and inboth vivid stories, clear structure and vivid characters, both extremely storytelling, playin the process of storytelling through the practice of telling and space described theformation of a different but clear structure, which express a artistic appeal to audiencesover the years describing the characters and vivid characters; also because they have a lotof art and artistic elements. different resulting in a novel some difficulties in the processof been made into movies, so that the final film works with the novel different, these differences are due in the novel was adapted into a movie based on the novel art and filmthe different elements of the narrative perspective of the novel adapted novels andmovies is an abstract figurative different imagination, the ideological dimension ofchange for different understanding of the novels and films from deep to shallow sight,aesthetic conversion experience for fiction and film text and images in different cognitiveacceptance. This is the film adaptation have been discussing the faithful and creative,controversial novel film adaptation in the end should be faithful to the original, or thereshould be more adapted to create, this problem is not only the Chinese filmmakers in the1950s and1980s, a theory contend, is the film adaptation of the requirements of the times,it is the the world filmmaking philosophy pursuit and controversy.The adaptation process from when it comes to movies is a copy of a non-classicalmodern Chinese fiction classic, adapted from various aspects of modern Chinese fiction.First concrete manifestation in the rewriting of the literary theme, we can say that the lossof depth of thought and the re-release of the political discourse, strengthen the processfrom the exploration of human nature to the political consciousness, is speculativeunderstanding of the ideological significance to casual entertainment consumptionprocess, from the typical shape to the typical generalization process, it is to describe theprocess of daily life from the soul to explore, and these are the significance of the themeof the novel, story, character and value orientation reconstruction. The rewriting of theartistic elements, the novel and its adaptation into different movie is described on thelanguage reading and thinking and visual senses of the screen to accept different rewritethe narrative voice that narrative perspective from "I" reflection "he "objective narrativeadaptation, the rewriting of the narrative structure will be described in diverseexploration of time into rewriting of the narrative plot interesting development is thedescription of the characters from the character portrayed depth profiling toPsychological complexity of missing Description of the change in the narrative into aspatial information tool environment to show the imagination of the situation on thespace-time sight.When it comes to movies from a young age so that a Reflection and Reconstruction,for modern Chinese fiction classic is a classic read and accept the modern Chinese fictionin the moment once again demonstrated to the audience in front of a contemporary audience for China The modern fiction classic contemporary film adapted from theaesthetic look forward to. Which implies the re-release of the classic novel and adaptedtheir knowledge structure, the relationship between the value orientation, and the paradoxbetween the popular demand for a continuation of this adaptation of the literary classicand contemporary society, is a faithful interpretation of the original with the audience thegame between psychological acceptance.
Keywords/Search Tags:Chinese Contemporary Classical Stories, Movies adapt, Mass culture
PDF Full Text Request
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