The Impact Of Research On Lu Yanshao Landscape Painting Pen And Ink Language

With the development of time, the ink is in constant evolution,In the twentieth century the artists inthe text also has the innovation, all without exception is the premise and foundation of studying traditionalink. Such as Huang Binhong,Pan Tianshou, Zhang Daqian, Fu Baoshi, Li Keran, Lu Yanshao and so onsome successful painter, Chinese painting is rich and full of modernity, these painters in pen and inklanguage innovation and promotion.The ink can exist as a kind of aesthetic language, which is also the source for its own uniquetemperament with Chinese traditional cultural symbols and cultural，So that it can take differentmanifestations of existence in Chinese painting。Since the rise of literati painting, ink has attracted moreand more attention, With the development of time. it becomes a kind of aesthetic independent language.After countless literati artists carefully refined to a program, and this program not only refers to the pen andink techniques, but also is refers to the spiritual connotation.。But in essence the previous Lu Yanshao based ink language, with a deep literature training andprofound to understanding and practicing of tradition. The themes and ideas of the nature of the injectednew elements and the spirit of the times for the text，Create a unique painting language”hook" cloud"blank""ink", which has also become the "Lu" landscape painting ink eye-catching bright。. Enjoy LuYanshao’s landscapes, always give a person a kind of pen ink fine exquisite beauty, freely flowing style ofwriting.。In his landscape painting, always revealed a classical flavor, but his writing form and theperformance of the theme is followed era,classical flavor in the ink and his living environment and theirown literature accomplishment is the relationship to each other. Lu Yanshao collection of poetry andpainting in a body has a profound traditional literati self-cultivation, he draws a flexible,the calligraphy hassome influence on the pen.But in view of the relationship between pen and ink, he thinks the track record,if the pen is not good, so the ink will not show good effect, but no ink pen on paper drawing, also do notseea result so the pen and ink can not be separated. The ink also depend on the pen is good or bad, use thepen well, ink performance on the rich out, so a skill of pen is important. Lu Yanshao emphasized that the gold ink, ink level is reached which in the ink completely out, this is a picture of the so-called dry biascolor change, also reached the dense clean effect picture, A skill is very important at the same time usingand understanding of the ink is also very important.Since the early years of school tradition, to imitate the ancients, coupled with the impact of theircharacter, so that the ink pen of Lu Yanshao early is euphemism, juanxiu. The painter pen and ink languagestyle are changed with his life experiences.Medium-term time, influenced by sketching and innovationatmosphere at that time, and often with Western painters to sketch the problem. Lu Yanshao’s painting is notconfined to the traditional pen and ink, and naturally or half unconsciously divide to paintings wind somedetachment.Because of contact with nature, learning is a good look and the flexibility of thepainter.Landscape painting with white is in his wannan go sketching，Contour light carefully observedsunlight slanted down the hill, there is no such expression in Chinese landscape painting.So he went back totry after his view of ink performance, because the mountains edge is white, only through the black can foila bright. Lu Yanshao tried to rock painting to bring out the dark jungle edge profile is like white, light white,in the hot landscape painting black and white contrast is obvious, because it can increase the strong contrasteffect picture.Then Lu Yanshao intentionally to neat brushwork with freehand sketching to bring the inkpen with ink means,be more rich, black and white contrast images of the obvious.Advanced landscapepainting language is symbolic, it is from the painter’s life experience and feeling, and through the languageform of expression, is also the artist of life.Lu Yanshao life encountered many difficulties, but they neverhinder his devotion to painting in love. perhaps it is these extraordinary experience, to make his landscapepainting language has amazing performance in mid and late.A vigorous, ink is more sophisticatedeye-catching,，Application of "ink", and the original "water", is the picture static in action, in are manypictures. This unique language form become a point light screen.