"Mountain Partridge Spine Sparrow" And "Double Happiness" A Comparative Study

In the early northern song dynasty imperial court art academies, Huang Quan and his sonfrom imperial court art academies in West Szechwan create flower-and-bird painting style richseiko accords with the aesthetic interest and psychology, and political rulers at that time, is veryhighly regarded by its royal became courtyard flower-and-bird painting aesthetic standards, anddominate the period academies flower-and-bird painting style a century. Until the emergence ofCui Bai in the middle of the northern song dynasty, with his natural wild escape and desolate’sstyle changed the art academies has been to “the yellow house riches and honour”of seiko stylefor the dominant situation.With the emergence of this phenomenon is the development trend, andaesthetic pursuit of the different needs of people of different age.Huang Jucai’s "Mountain Partridge Spine Sparrow" and Cui Bai’s "Double Happiness" is inthe early northern song dynasty and northern song dynasty medium-term courtyard flower-and-bird painting works of representative body. Two figures have different flower-and-birdpainting expression techniques and aesthetic pursuit, not only show the respective era of Chinesepainting style trait, also reflected different of the era of the spirit of their age, with the samepurpose. And,"Mountain Partridge Spine Sparrow" in the mood on the quiet to the extreme, andthe "Double Happiness" in the mood on the move to the extreme, the two each have their owncharm, like Chunlan Chrysanthemum, all good name.