The History View Of Liu Zhenyun's Novels

The development of history view has given fertile soil for the creation of literature,and the view of history is also an important research method of literary criticism.From the aesthetic reflection of the embodiment of the historical spirit in literary creation,we can find out the context of history and reality,the pros and cons of writers,and make the meaning of literature.The purpose of the thesis is to systematically present the historical view of Liu Zhenyun's novels with folk culture,which is also reflected in the view of round history of space-time,and history of violence.And besides,Liu Zhenyun's writing has also been influenced by his own view of history,in terms of narrative methods and artistic methods,which are expressed as the relationship between language,deconstruction.The introduction part reviews the research status quo of the historical view in Liu Zhenyun's novels,and points out the basic research method of this thesis.The main text is divided into three chapters.The first chapter mainly explains the view of history of Liu Zhenyun's novel from three aspects: First,the view of folk culture.Liu Zhenyun took the folk as the origin of history and restored the folk context,which showed the strong vitality of folk culture.At the same time,taking "Ning Ba" as his focus,Liu Zhenyun always paid attention to the folk culture.In addition,in the contrast with the city shows the uniqueness of folk living space;the second is circular time and space of history view.Through the discovery of the chance of history and the exploration of the cycle of national cultural psychology,the endless cycle of history has been demonstrated.Third,the history of violence has been contested.Liu Zhenyun used the power struggle to explain the law of historical evolution,and expressed the revolt against the history view of revolutionary and the historical view of heroes with ‘ugly folk'.The second focuses on explaining Liu Zhenyun's understanding of history in terms of narration and artistry,in addition to his notions,namely,language and history,"metamorphosis and history".Yi Ju Ding Yi Wan Ju pointed out the loneliness of people from the perspective of "Pen Kong" and "Shuo De Zhao",at the same time,opened up a new historical orientation of the village and presented a new day in the village;In Wen Gu 1942,to deconstruct history,he made a merciless ridicule of history and politics,considered the lightness and heavyness of history,and criticized the so-called historical rationality with his implicit heart.The third chapter mainly discusses the reasons for the formation of Liu Zhenyun's novel's historical view.Liu Zhenyun was influenced by Western existentialism,and was deeply influenced by his hometown culture and hometown people.The conclusion points out that the views of history of folk culture,circular time and space of history view,and history of violence,which are the three basic dimensions of Liu Zhenyun's history view.In terms of language and deconstruction,his view also has a certain degree of his writing.The spirit of critique and suffering deepen Liu Zhenyun's creation.Then this thesis points out some shortages of the current research and puts forward the prospect.