Theory Of Freehand Brushwork Flower-and-bird Paintings With Special"Shape" To Establish New "Meaning"

Pseudonym of Zhu Da is representative of traditional Chinese painting masterChinese painting history, is the17th century’s most influential one of spring painterin China. As descendants of the Ming imperial clan, Zhu Da have been exposed toin the scholarly family, he was versed in poetry, books, paintings, prints, isparticularly influential, painting spread his work, at home and abroad of its uniqueart style to shock the mind of every art lovers, its artistic vitality, will give a fairdeath honors the whole life. People study of his since the Qing dynasty are recorded,in today’s society historiography circle, circle of his research revealed a wide Angle,content more, greater prosperity, the study of Zhu Da is to collect, record, classifyof the works; Or the paintings and calligraphy works of sentiments and appreciation;Either the textual research is his life story. The author thinks that Zhu Da toresearch provides a good research materials, but these are not comprehensive ofZhu Da`s art aesthetic ideas, unique style of art and the pursuit of artistic value, ofZhu Da`s flower and-bird painting with the special "shape" to establish new"meaning" research is not enough. Pseudonym of Zhu Da is a landmark on theChinese aesthetics freehand brushwork flowers and birds painting painter, he putthe spring flower and-bird painting creation forms a bold innovation, and achieved ahigher level of artistic conception, his works extremely zen, meaning deep, insidecollect, metaphor, ease and free and easy.Through the study of traditional Chinese aesthetic thought and aesthetic idea,this paper further analysis Zhu Da`s works of special "shape" and new "meaning" ishow to embody the unity of opposites relationship between. His art style theformation of the natural and life experiences, and also the effects of hispredecessors and contemporaries have cause and effect, the formation of this styleis the most fundamental is the result of Zhu Da`s understanding. This articlethrough to "shape" and "meaning" in the Chinese painting research, so as to furtherstudy the eight works of the "shape" and "meaning", in the study before Zhu Da’s artistic thought and creation style, this article also expounds Zhu Da`s art is affectedby various aspects of the art career, after all aspects of understanding, further morein-depth and thorough, accurate analysis of Zhu Da`s freehand brushwork flower-and-bird paintings of special "shape" and new "meaning". Paper expounds Zhu Dathe cause of the unique artistic style, its unique aesthetic and philosophicalconnotation impact on later generations is huge and profound, at the same time, thisarticle also raises our contemporary problems, how to inherit and develop Chinesefreehand brushwork in traditional Chinese flower-and-bird paintings in under theguidance of Zhu Da, today is the development of freehand brushwork in traditionalChinese flower-and-bird paintings, there are this, is also full of vitality.