The Contemporary Expression Of Chinese Traditional Freehand Brushwork The Influence Of Oil Painting

Freehand thinking is an important mode of thinking of Chinese aesthetic theory.It is an important difference between Chinese traditional painting and western painting.In Chinese traditional painting theory,freehand is both an artistic methodology and an artistic process of thinking.The concept of freehand is not simply a traditional Chinese painting techniques,but should be an artistic spirit.China's traditional freehand spirit is inseparable from the traditional Chinese philosophy,the meaning of the word "freehand" is that through the "writing" to convey the "meaning" process,"write" the word is thousands of years of literati personality and The perfect embodiment of the form of pen and ink,"meaning" is its unique cultural aesthetic thought,is one of the ancient forms of Oriental philosophy.This expression of "meaning" is also a true reflection of the artist's inner feelings,and this true emotion is perfectly expressed by the artist's artistic creation.Therefore,this article from the Chinese traditional cultural background,combined with the aesthetic philosophy of Chinese classical philosophy,compare and analyze the traditional Chinese freehand brushwork and the contemporary performance of the aesthetic between the common sense,and the different aspects of artistic language,try to find and study contemporary performance Oil painting on the traditional Chinese freehand spirit of the integration and absorption of the feasibility,and from the perspective of artistic aesthetic and cultural values,combined with Chinese and foreign aesthetic ideas,Chinese and foreign art forms,the use of comparative methods to prove that if the use of traditional Chinese freehand spirit To guide the performance of oil painting creation,can make the performance of oil painting language more implicit,lyrical,more poetic.And explores the cultural context of this combination of artistic ideas in the present social development.