Suit And The Common People

Ren Bonian to his unique achievement in traditional Chinese figure paintingcreation, become the main representative of modern Chinese traditional paintings ofopen up a fresh outlook. Contains his portrait painted character in character and thecharacter of the duality of human nature or characteristics of compatibility, both forthe general characteristics of the transition period in China’s modern history painter,and his family tradition and the unique nature of social life and art environmentrelated, but also with his both as a painter and as a painter duality or compatibilityfeatures are closely linked. Praiseworthy for one’s excellent conduct is, even when heis only the short life span of50years, his this duality or compatibility character itselfalso has an organic and intrinsic change or transformation from inorganic andexternal, namely from the low level to the high level of transition or transformation--only can fully see his this kind of transformation or transformed human, to measureand evaluate the full, objective of his artistic achievement.On behalf of Ren Bonian’s figure painting as late Qing "the Shanghai schoolpainting", is not only the Chinese painting figure painting since Ming and QingDynasties excellent traditional new integration and development, but also directlyinto the formation of the source and the pioneer of modern Chinese figure paintingafter painting: the duality of portrait painters of character and the character of humannature or characteristics of compatibility, direct development formed the modernShanghai "the Shanghai school painting" fully inclusive and equitable characteristics(such as Cheng, Katomo Nao, Dai Dunbang and other Chinese figure painting); itsportrait painter character contains certain significance to draw the figures emphasizemodelling and realistic style of ""(Chinese figure paintings by Jiang Zhaohe XuBeihong,40’s) development foundation; and the figure painting (especially his)contains the human character is largely based on realistic modeling has become moreemphasis on the literati painting Bibi ink taste "genre painting"(mid50’s formation,such as Li Zhenjian, Zhou Changgu, Fang Zengxian to the Chinese figure painting in the traditional Chinese Painting Department of Zhejiang Academy of fine arts theformation of the foundation).In this sense, Ren Bonian’s Chinese figure painting in modern China is not onlythe Shanghai painting portraits of the representative, or modern "Shanghai PaintingSchool of painting" and other common source of direct and indirect; and Ren himselfand his creation and words, he should not only be regarded as promoters andEnlightenment Chinese traditional figure paintings from ancient to moderntransformation, also should be regarded as the opening of Chinese painting in thetwentieth Century comprehensive revival especially pioneer figure painting andrejuvenation of the.