Linking The Parts：Discussion On Line-crossing Of Chinese Modern Poetry

As the creation and development of the Chinese modern poetry come to the21stcentury, the theme and style has shown its diversification and arbitrariness. With thepopularity of online poetry, the definition of poetry has become increasingly blurred, butthe modern poetry is different from the ancient poetry and other modern genre, thepoetry’s branches arrangement is the most obvious feature of the new poetry’s shape. Ithas become an important external feature of the new poetry, the phenomenon that onesentence with more than one line widespread in the new poetry.The inter-row is not only the external form and sign of the poetry but also has theeffect of shielding and cutting off. The inter-row in essence is a kind of blank, this blankwas closely linked with the Chinese classical poetry’s blank is beauty, and it points to akind of ontological poetics. The inter-row of the modern poetry was caused by the desireof destroy reality, it is not save but sweep, it torns open from the consistent context, itundermine the consistent word order, it undermine the neatness of the rhythm, itundermine the harmony of the poetry, and finally restore the original the language. Thispaper tries to seek the probability that inter-row existed in Chinese modern poetry fromconnotation and essence.