Research On Ge Liang’s Transgressive Writing

Ge liang is an emerging Chinese writer in the literary circle in recent years.Ge liang’s journey from nanjing to Hong Kong provides him with a different perspective when writing about nanjing and Hong Kong.At the same time,there are time,writing strategy and culture.In Hong Kong,a city with mixed cultures,ge liang began to think about the uniqueness of eastern culture,which became an opportunity for him to find his cultural roots.Therefore,the ultimate direction of ge liang’s transgressive writing is to seek cultural roots.This paper will show from the works from which several aspects of ge liang’s transgressive writing,as well as the cultural psychology behind.The thesis mainly includes five aspects:The introduction introduces the research situation of ge liang,and introduces the relationship between ge liang and his transboundary writing.The first chapter mainly explains ge liang’s retrospect of nanjing and the characteristics of Hong Kong’s writing from the perspective of space transboundary.When ge liang wrote about nanjing in Hong Kong,he had a completely different cultural perspective,thus presenting a unique image of nanjing.While writing about Hong Kong with the vision of nanjing,I also unconsciously dig into the traditional side of Hong Kong.Hong Kong also exudes charming charm.This transboundary vision is also reflected in ge liang’s care for people in the city.In his thinking of the boundary,ge liang’s transboundary experience makes him focus on people who are transboundary,including the straggling in the broad sense and the transboundary in human nature observed from the micro point.The second chapter mainly explains ge liang’s time transgression from the perspective of history and reality.Ge liang traveled freely in the long history,mainly taking the group of "intellectuals" as the spiritual carrier to discuss its value selection and spiritual core in space and time.To observe "chang-ness" and "change-ness" in the evolution of time with "implement" as memory carrier;And "repay kindness and revenge" to show his thinking of the past and the present.The crossing of timeactually points directly to ge liang’s view of history.The third chapter explains the transgressions of ge liang’s writing skills from the aspects of language and narrative strategies.Ge liang’s writing is both classical and modern,which benefits from his absorption of different writing strategies of language and Chinese and western.In the language of the republic of China with the creative use of the language with the unique white language,Hong Kong zhi novels and regional dialect intervention,other works also involved in the film language reference,ge liang’s language overall shows the characteristics of the boundaries,to create a "sense of presence".In the aspect of narrative strategy,it is reflected in the blending of Chinese and western narrative skills,changeful and flowing perspectives.He moves with ease in writing strategy and integrates with the culture and ideological connotation of expression.The fourth chapter discusses the cultural psychology behind ge liang’s transboundary writing and the purpose of seeking the roots of Chinese traditional culture,so as to discover the artistic value and aesthetic characteristics of ge liang’s novels.Ge liang’s cultural psychology contains jiangnan culture or jiangnan context,the feelings of the republic of China,and the multiple roles of Hong Kong culture.Under the common influence of these cultural psychology,ge liang’s creation presents a unique aesthetic style.And the cultural transboundary from the individual roots,evolved into regional roots,and ultimately point to the deep purpose of Chinese culture roots.Ge liang’s call and remodeling of traditional Chinese culture in the cultural search reveals another vision of telling Chinese stories in the context of globalization.Macroscopically,this paper reveals ge liang’s pursuit of seeking roots behind his cultural transgression from three different levels.From the perspective of ge liang’s works,this paper explains the concrete manifestation and influence of transboundary,including the fresh elements brought to overseas Chinese writing in the context of globalization.At last,the author puts forward the defects and inadequacies of ge liang’s transboundary writing in order to make a breakthrough in his future writing.