The Research Of The Middle Haha Cavity In Hengshui

Ha Ha Cavity is one of local operas in Hengshui, which is popular in main epidemic areaof the south of Beijing and Tianjin. It is divided into three categories; one is called as theWest Ha Ha Cavity that is popular in central Hebei, Boding. At present, there is only aprofessional team located in Qingyuan County. One called as the Central Ha Ha Cavitywithout a professional team that is popular in Hengshui, Cangzhou, Dacheng, Wenan and soon. In addition, a popular one called for the East Ha Ha Cavity is in the west Shandongprovince, commonly known as “Shandong roar” by artis of Hebei. There is an old saying inHengshui,‘Ha Ha Cavity, a wife pile.’ It implies that iliterate women love to see the playwhich is easy lyrics, pleasant, attractive, beautiful mellow sound. The vocal music with amass base is close to people’s life in Hebei. However, the middle Ha Ha Cavity is almost onthe verge of despair as the West one so far. All collaborative innovation methods of work isneeded for shining new splendor in the new era.This author takes the history of the middle Ha Ha Cavity in Hengshui as a research objectin order to try to restore its earliest base, the first generation of artists, training institutions,representatives, and effects on people’s cultural life in Hengshui. The author describes thedevelopment of the middle Ha Ha Cavity in Hengshui under the leadership of theCommunist Party since the founding of the nation by the method of ethnomusicologyspace-time theory, and analyzes its current dilemma by investigation into the peasantsamateur team. Some suggestions and measures are put forward to protect intangible culturalheritage in Hengshui from four aspects of national policy, the coordination mechanism,local regulations. Another aim is to assist to enrich and develop local opera culture theory,and protect and inherit the local culture, and improve people’s spiritual life level, andstrengthens people’s pride in Hengshui.