On The Application Of The Texture In The Creation Of The Chinese Painting

Papers on the theory of the texture application are very few. Patrick Frankdiscussed the texture in his book the Art Forms: The Principle of Visual Art, and JohnEaton also carried out experimental training on the texture, which combined with theforms and the color composition, in his teaching classes, but they did not conductin-depth and systematic analysis and research on this factor. In China, especially inhistory of the Chinese painting, papers discussing on the expression of paintinglanguage are few and far between. Papers or books on the forms and color compositioncan be counted. Under the guidance and inspiration of the supervisor, the authorresearched related materials, finding the expression of texture language is a newresearch field.With the research of the application of texture language of the masters both fromChina and abroad, and combined with the author’s artistic practices, this papersystematically sorted out and summarized the contents regarding this field in the historyof the Chinese painting.