The Explaination Of Aesthetic Of Shaanxi Traditional Opera

Chinese classical opera experienced legendary brilliance, ushered in the Ming and Qing dynasties contending local opera boom during this period, in northwest China’s Shaanxi rise rapidly developing arts flourished and became the local opera floral Qing main force. In2006, the State Council approved will be listed as national intangible cultural heritage. Until today, Shaanxi opera are the most important form of local opera. Back in the past, it is the oldest plant Qin to traditional culture and folk art fertile ground inherited the Yuan Dynasty and the name of the legendary tradition, experienced originator, development, maturation, improvement and integration of several stages of development, which lasted several hundred years. During this long gestation process, and it continues to draw a fusion of traditional folk culture of Qin nutrition, and gradually formed its own unique aesthetic characteristics and their own laws.This article attempts to show from this ancient tradition to start, from an aesthetic point of view of its cultural analysis. First, from the opera generated text rendering geographical environment and the specific characters and emotional expression, the reaction can be profound simplicity of Qin figures, the natural environment, true and emotional frankness. Second, the pursuit of the good things of the noble sentiments of the stick, the watchmen on the high ideals, as well as ugly rejection, so Chung Tak contained Road, full of ideas to teach them kindness. Opera from the northwest, northwest Alexander Goushen, hard life, and has always been the land campaign, whereby Pathetique desolation is different from other kinds of music opera the most typical features, however, the script plot bout was removed, contradictory opposites transformed into the final happy ending, more prominent beauty of Confucian.