Theory Of "Line" In Modern And Contemporary Chinese Landscape Painting In The Performance

"Line" important position in the Chinese landscape painting, no doubt."Line" as the basic modelling language in Chinese landscape painting Chinese landscape painting in the use of, not only can achieve the purpose of material, but also reveals the various object properties by means of artistic modality, it embodies the landscape painter summarized and refined the objective image and the understanding ability; Also embodies the ability of painters performance object."Line" shape painting style of Chinese painting, is the most simple line made by the greatest artistic style, this traditional Chinese painting "line modelling" style will show up. It and Lao tzu’s "the tao gave birth to one, two, two gave birth to three, everything in life" philosophy is inseparable, pan in the study of line wrote:"nothing more than paint pen, point, line, face", over the also wrote in his painting:"is this all a recognized, and the, the root of everything, for humans, hidden for people..." To write,"borrow ink creation and tao swimming on me."This is also proved that the line of the lyric "disconnection, is due to the painter in the calligraphy of all sorts of change, make the line itself with the ever-changing forms. Lines on the one hand, rich and colorful form can arouse people all kinds of real life similar object in the object association of form beauty, make the line of the abstract reality of physical beauty an indirect reflection of twists and turns, thus arouse people different feelings. Painter in the calligraphy, on the other hand, in the process of filling of individual emotions, interest, thought, make Chinese painting line has obvious painter personality characteristics, in the lyric, chang god, the role of freehand brushwork, thus show the painter’s aesthetic ideal, temperament, soul and character. This is the ancients says "painting as the person". Lines in Chinese landscape painting development must own innovation based on inheritance road, in the Chinese landscape painting line has been for thousands of years of development, on the basis of inheriting traditional innovation is of great difficulty, but nearly contemporary such as xu beihong, huang, Lin Fengmian, Li Keran everyone in introducing western ideological trend of technique innovation on the basis of the Chinese landscape painting line, become the model of the later artists, he also for modern and contemporary painters at different time under the background of combining western art and Chinese landscape painting in the line, to open up new development way, provides new development way for the development of the line language. Over the proposed "pen and ink when over time", which told a contemporary painter on the basis of inheriting traditional to create line language. Inheritance is not only inherited the traditional techniques and inherit the traditional culture and spirit thought; Innovation is not a madrassa reflected, it is the basis of the traditional to the dregs of constant evolution and development; To draw the advantages of western painting into the Chinese landscape painting, but also expanded the vision we do make the eastern and western culture blend, given new vitality to the line of Chinese landscape painting.