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Analysis And Comparison Of Chu, Ou, Yan, Zhao Four Regular Script

Posted on:2014-02-15Degree:MasterType:Thesis
Country:ChinaCandidate:L B ZhouFull Text:PDF
GTID:2255330425969086Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The script was finally established mature in the Tang Dynasty, the emergence ofa large number of the law in the Tang Dynasty outstanding regular script calligraphy.Four regular script in the home, three is the Tang dynasty. Now because of regularscript standardization, preciseness is widely used. The regular script in calligraphyteaching, teaching than various calligraphy teaching should widely. The learningproblem in learning calligraphy, I recommend to the calligraphy lovers Chu body, EC,Yan, Zhao four books. And analyzes characteristics of various style. The purpose is tolet readers have a deep understanding of the four book, improve the ability toappreciate, the final selection of suitable for their own body as study object.In the first chapter, I divided into four sections, respectively, analysis ofcharacteristics of Chu,European Stroke, Yan, Zhao home. Chu body curve, every lineof soft and tough. EC multi-purpose, corrugated horns. Chu Europe two femininity,aesthetic meaning completely different. Yan Zhenqing also used the song, not thesame and the aesthetic meaning of Chu, investigate its reason, use the tip system,against the front down on paper and brush, pen and speed without. In the analysis ofits features of strokes, I analyzed his thick muddy Health Stroke lost reinforcementmeans. Yan ribs taste strokes and Zhao’s soft lines strokes do comparison. Conclusionboth wrote what kind of stroke, should have a "dry"。Body of stroke coarse, not blindly to pause, to mention the meal. Fine line tohave meal. Zhao Mengtiao is characterized by gentle strokes, similar to Zhu Suiliang’ssoft, but Zhu Suiliang’s stroke with strength means more. Zhao Mengtiao’s strokeextraction and press is not very clear. In the second chapter, I analysis and comparisonof the Chu, Zhao, Yan, ou structure. In this chapter of the Zhu Suiliang structure alsomade a key analysis and appreciation. Structural characteristics of EC is the wordpotential risks, has bone for the win. Speaking EC framework solid, with the sameskeleton solid body to do comparison. Conclusion bone protruding ribs, meat flavor,bone less meat bone from prominent. A method of bone or tendon wins wins, has adirect impact on.Yan Zhenqing was the script structure is positive to take potential,and the extension of. Chu, ou, Zhao and tilting potential. Yan have outward expansiontrend, and the same tension "robbery leave ceepus daughter" the picture a contrast. Inothersections also compares Yan and "Mrs. Cezanne" this painting. I think thecomparison is very appropriate, static tension. Structural characteristics of Zhao scriptis round, uniform structure. The circle and the circle of Yan Zhao comparison, therewas correlation between strokes, structure of different draw with a pen. The analysisof the third chapter compares four regular script of aesthetic fashion. Zhu Suiliang,Ouyang Xun, Yan, Zhao Mengtiao is in their calligraphy and Mei’s ideology, differentemphases, and formed different aesthetic fashion. Chu body empty, her strong, to body turbidity, Zhao sweet.The number of strokes, structure, aesthetic style, always with the relative pen.Through the comparison and analysis of four regular script characters, the pen is notabsolute, such as absolutely square and round.Learn to understand square and circle,inverse and smooth, straight and curve, fat and thin dialectical, diseases and astringentthe pen method. A great help for learning calligraphy.
Keywords/Search Tags:Regular script, Aesthetic, Stroke, Structure
PDF Full Text Request
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