| Yu Hua’s works through violence picture, bloody battles, the writer specific "cruel to" help the individual through implementation of the vent, feeling and experience of the self, showing the tragic consciousness of one principle runs through it all. Tracing back the origin of tragedy consciousness, have to mention Yu Hua’s personal memory and reading precipitation. Childhood is the writer’s wealth, it as the original Yu Hua’s resources, complex now author every time in the process of refining and memorial. The author’s childhood met the end of the cultural revolution, scene fragment of engraved in the author’s mind, at the same time, Yu Hua’s childhood memories are bitter and lonely, it is full of death and disease is accompanied by the familiar, punishment and insulting affection imposed. Experience, to the reality of the unknown image tremble, lets Yu Hua’s childhood is full of anxiety and fear. Yu Hua is a diligent reader, Kawabata Yasunari, Kafka, Lu Xun is the author of writing tutor, Yu Hua is revered and respected giant. In these masters of the invisible invasion, in the author’s rebellious thinking, Yu Hua gradually formed self tragedy system. His works reflect his tragic consciousness, which can be proved from the theme of the text, the characters, aesthetic implication and narrative strategies in view of several.The whole creation of Yu Hua can be found, suffering and violence is two keywords novels. Suffering is the reality of normal life, whether it is the eternal challenges to survive, or confidence and hope the denudation, have been most incisive expression in the author’s words. Violence is the creation of Yu Hua’s label, bloody scenes, physical fighting, and the original entanglement makes the author set plot strike the eye and rouse the mind, full of visual shock effect. Yu Hua’s angle and the analysis of human nature from two aspects of the causes of violence will be explained in the text, the theme of violence by the plane drawing into a deep consideration. He has constructed by characters, with self walking trail in contrast with the macro effect of tragedy, they or allegorical figures, or the social environment of the tragedy of individual, with self weakness carries pain again, the lack of awareness of the fight to let them into the tragedy to detached vortex. Despite the tragedy theme choice, Yu Hua from the two aspects of aesthetic and narrative of tragedy consciousness supplement. He takes readers on transformation effect every time, remove the strange to also let he built the bridge works and readers, make aesthetic sympathy effectively in reading into. The author will voluntarism philosophical insight, Daoism aesthetics connotation into words, intangible mapping toughness wisdom of Schopenhauer’s pessimism, Dionysian spirit of Nietzsche, me and Chuang-tzu’s compromise attitude, make the work covered by a layer of cold tone, reflects negative effect of the concept of Tao was born. At the same time, Yu Hua also consciously find Chinese and foreign classics writing technique. using a variety of narrative interpretation of his tragic thinking. Accurate remoyal of image communication the main objective of the distance, abstract and obscure image understanding:from the perspective of the real breakthrough, the soaring imagination can precisely to break the surface decoration, direct logic and emotion with ridiculous snare kernel:the plot of the rich has embraced the readability of the stories, the daily experience of both plump, language character the help of tragic consciousness development; use tension poetics, the sadness and joy. beauty and ugliness, laughter and tears, reality and absurdity’, abstract from simple stretch, compared each other should increase the dramatic conflict presentation. To sum up. Yu Hua use various creative means, with their own experience, reading, thinking the tragedy consciousness development, bearing the responsibility" consciousness, the essential connotation given works, worth deep discussion in the academic research in the future. |
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