Research On Contemporary Chinese Small Oil Painting

with the popularization of art, from the classic art exhibition, the museum suchserious way into every aspect of people’s lives, so small canvas aesthetic is accordwith modern living space and spiritual needs. Through the ages, many artists createdmany small canvas classic works, which have such as easy to carry, easy to operate,easy to save and profound cultural connotation and strong expressive force etc, makeits favored by artists and collectors.In the special context of contemporary Chinese art, the nature and purpose ofpainting is slightly changed, also gradually expand feeling and service groups.Moreand more people to accept and appreciate the oil painting, oil painting gradually beganto collect and even used to decorate household environment, small canvas can bettermeet the needs of the public of art.Oil painting can be divided into big and small, in accordance with wide sizepeople usually put more than one meter in length is classified as a sharp, less than ameter is classified as a small, for irregular shaped format, if it somehow the maximumvalue is less than one meter also belong to small canvas.Under the guidance of these factors, the contemporary Chinese small canvas andother forms of contemporary Chinese painting art has its unique epoch andprogressive ideological content. In the information developed today, the art ofpopularity and age characteristics of the art market, make a small number of flow inoil painting in the art trade and speed than big oil painting has obvious advantages.Small canvas, however, still bear the impact of stems from several factors, but there isno denying that its artistic charm and cultural value has good academic researchsignificance, and has long-term growth prospects. Small canvas in interaction with theaudience, with the chief use for delight gout, and exquisite techniques, more able toexpress people’s thought.In this paper the concept of time contemporary China as a starting point toexplore the small oil painting of the times and the inner spirit and ideological significance. Its value is reflected in the modern study of the spiritual and cultural lifein the pursuit, as well as social and cultural trends in the environment, from the subtlecontrast, the relationship between arts and humanities, resulting in a slight academicpainting on the concept of more and deeper understanding. Papers focus on thefollowing four aspects of Chinese Contemporary Oil Painting and issues related toresearch.The first chapter, on Contemporary Chinese Oil Painting paraphrase andscope of exposition. Including the interpretation of contemporary Chinese painting aswell as the definition of small and broadly summarized its characteristics, features,delineation of the object of study of this thesis objectives and main content. Chapter II,and further study of Chinese Contemporary Oil Painting emergence and developmentis based on the social background of the study and the times we live closer together,explore their times, in order to analyze the existence of the historical background andartistic status quo, for the arts provide a theoretical basis for the existence of thephenomenon.The third chapter, the focus of Chinese Contemporary Oil Painting of itsideological content, with Confucianism, Taoism and other philosophical thinking totasting typical case. Chapter IV, according to their own creative practice, summed upcreative ideas, the creation of the difficulties encountered thus reap the newknowledge and experience, through personal experience to consolidate small oilpainting of this formulation.