The Form Of Value Orientation Research Of Literature Criticism Since The New Period

Literary form is an old topic in the late1970s, as China’s political and thoughtliberation and the influence of western formalism literary theory, form once againbecame one of the focus of attention in the literary world of China. To pursue theindependent value of literature, researchers in the field of literary criticism startedfrom the angle of the form to study literature. Through selectively literary reading andinterpretation, they highlighted the significance of forms of literature, and consciouslyconsidered the independent of language, narrative, structure as a kind of discourse tocarry on criticism practice, and the tireless efforts made the form of value orientationin literature criticism mottled and rich appearance.Based on this thinking, this paper includes four chapter sections. The firstchapter mainly discusses the lively appearance and context of the form of valueorientation in literary criticism. The form of value orientation emerges the earth’ssurface, on the one hand because the push of time atmosphere of ideologicalemancipation, freedom of expression, on the other hand because the importantenlightenment of western formalism literary theory.The second chapter mainly includes three aspects, such as the interpretation oflanguage, narrative research, exploration of structure, overall discuss dimension theform of value orientation of the literary criticism. From ontology language rhetoric,explore and examine, to the study of the narrative form, narrative strategy of thecriticism, to the deep structure, the structure model of exploration, critics, based onthe literature practice in mainstream criticism model based on critical reflectioniconoclastic, to form a new word, embody distinct forms of value orientation, has alsomade a series of criticism and the theoretical results. From ontology language rhetoric,explore and examine, to the study of the narrative form, narrative strategy of thecriticism, to the exploration of deep structure and the structure model, critics, basedon the literature practice reflect on the mainstream criticism model, discuss form,embodying distinct form of value orientation, and also make a series of criticism andthe theoretical results.The third chapter mainly inspects the changes of the form of value orientation inliterary criticism. In specific context, the exploration of form is restricted with the relative content of way of thinking and discourse system, and the idea is still in theperformance skills, the expression form and other external perceptual level; Withrational thinking of form, the form of criticism consciousness is gradually deepening,form of "inner character","inner nature" gradually be placed in the center of thecriticism. But also it is because of the extreme pursuit of form of ontology, literarycriticism is step by step into the cage of "pure form", and ultimately humanisticresponse to form of the value orientation makes the form of literary criticismexpression achieved by the "internal study" to "external study". Form of valueorientation therefore moves toward a more open, more meaningful research direction.The fourth chapter mainly discusses the meaning of the form of value orientationin literary criticism. Literary criticism under the guide of form of value orientationpresents a distinct characteristics and "one-sided profundity", and expands the depthof the literary criticism; the critics’ self-conscious pursuit of noumenal consciousnessof form and awareness of literary independence, also promote the transformation ofliterary ideas.Until today, form is also an untold topic, it is worth any unwilling hideboundwriter to creates and develop, is also worth more critics of the pursuit of truth toexplore and study.