The Article Quyang Stone Carving Art

QuYang stone culture sculpture history occupies a pivotal position in China. As early asthe han dynasty period, the traditional QuYang stone carving skills have begun to bud, in theeastern han dynasty preliminary forming, and QuYang becomes the center of the northernwhite marble statue is in the period of the tang dynasty. In the yuan dynasty stone carvingattainments and influence reached unprecedented heights. In the beginning of the founding ofnew China, as one of "China’s four big stone carving of the township" QuYang participated inthe "top ten project" Beijing and tiananmen repair projects. Thus, we can conclude thatQuYang stone culture still has a lasting influence.Until the early1980s, the spring breeze of reform and opening-up has not only raisedthe silence one thousand skills, also stimulate the desire of the regional economicdevelopment. Because of the blind pursuit of profit returns and economic index, it is hard tocalmly face the contradictions and problems in the process of development, thus theemergence of a large number of stone carving factory and the factory produced a largenumber of bad art, and more large quantities of building material. This not only causedserious waste and lack of local stone materials, and caused QuYang stone cultural image inreputation at home and abroad.So, how to restore QuYang stone image of culture? How to make a long history oftraditional culture GuangDaYu contemporary cultural Renaissance? How to build therelationship between the cultural industry and the reasonable? How to scientific link historyand contemporary? No doubt on the front of the local government, also before the was born inthe QuYang.Based on the literature, this paper focus on the empirical professional, trying to findblock QuYang stone culture development, and the problems faced in order to do an QuYangQuYang culture industry development contribute to it.