The Research About Fuxi And Nvwa In The Han Stone Portraits

The Han Stone Portraits was by the craftsman that were never leave their names carved on the ancestral temple, the tomb of the tomb carved decorations, temples and other buildings. Unknown artists a ghost with a knife, carved on the stone images, text, etc. It has a very high historical value and artistic value. Han stone material content is rich and colorful, for the most part is for the sake of funeral ritual and chiseled, its content not only performance MuZhuRen social production and life, and to promote filial piety Buddhist history, Han Dynasty also has showed people the view of nature and mythology, such as, thing lung white tiger, rose finch basaltic four god west and the east Kings, the Yuren, Nvwa created man refined stone day etc. If all of the content of the Han stone material, will become "a tapestry portrait of the Han Dynasty history". Among them, the " Fuxi and Nvwa " image frequently appear in the Han Dynasty stone, rich image form, unearthed from the regional range. This article intends to comb " Fuxi and Nvwa " Han stone, from changes in the distribution, type, image combination in the evolution process of the study of" Fuxi and Nvwa ", and then parsing the connotation of" Fuxi and Nvwa " image implies, at the same time, further research and analysis" Fuxi and Nvwa " image appears widely in Han stone.This thesis mainly divided into four chapters:First chapter, introduction, briefly introduced the thesis topic research significance, research status, research methods and means, to focus on the purpose of the topic and subject to complete, the method of system understanding of the structure and contents of the paper.In the second chapter, introduce the Han stone "Fuxi and Nvwa "image of the type, distribution, and the evolution of the combination process. Divided into three parts to complete. First of all, this paper introduces the origin and development of the Fuxi and Nvwa myths and legends, the understanding of Fuxi and Nvwa "image as basic; Secondly, with the concept of time, the grave fresco boom segmented comparison of the eastern Han Dynasty, concluded that " Fuxi and Nvwa " the evolution of the image along with the time development process; Again, the combination of images of " Fuxi and Nvwa " approach to specific analysis, from single to double, all have different image combination, explore its evolution process.The third chapter, this paper introduces the connotation of Han in the grave fresco " Fuxi and Nvwa " image and implication." Fuxi and Nvwa " image of mass appeared in the Han Dynasty stone, will have its special connotation and meaning, this chapter focuses on Chinese " Fuxi and Nvwa ", given the special moral connotation.The fourth chapter, introduce the Han stone in the popular " Fuxi and Nvwa " image, by the chapter of " Fuxi and Nvwa " connotation and implication of the research, to further expand to the society of Han dynasty and the religious psychology, better to " Fuxi and Nvwa " makes an analysis of the subject is widely used and known.The Han Stone Portrait as an important part of the Han culture, and the Shang Dynasty bronze ware, Dunhuang frescoes, Tang poetry, Song lyrics, such as do not copy the value of the same, in the grave fresco subjects are widely distributed, involving the system of social life and judgments, myths, legends, and other aspects, for the study of the Han Dynasty social culture, religious psychological, artistic form of expression has the profound significance.